Marisa Carreras

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Mother and daughter are both pop singers, but mom wants her little girl to get married. Wacky complications.

Alberto and Jorge are two friends who work as waiters and during a trip they meet an alien with extraordinary powers. It is sought by a Russian organization, and friends must hide it from it.

A man helps three boys and three girls who want to triumph in the world of television.

Pancurulo is a lovable and unorthodox high school music teacher who accompanies his students to a camp. Two escapees will arrive at that place looking for a hidden treasure.

Movie divided in three episodes: a family mother becomes a successful singer; an Argentinian reporter follows a Spanish cupletista from the beginning of the XX century; the reunion of three old actors and their lies about their success.

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The story of a bandoneon-loving musician who works as a detective in a hotel and the story of a chemist in love with a widowed woman.

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An exercise of memory about the work of Enrique Carreras, the Argentine director of ninety-five films, which explores the relationship he had with his collaborators, producers and critics, in search of an answer to the question that continues to be asked throughout time—how was he able to shoot almost a hundred films that were box-office successes and a great source of employment? Beyond the sentimental and emotional value of Carreras’ films in the collective imagination, said productions are documents that explain certain processes of social transformation and behavioral patterns, a reflection of different decades, with their own social and political circumstances.