Acting
Polizeiruf 110 is a long-running German language detective television series. The first episode was broadcast 27 June 1971 in the German Democratic Republic, and after the dissolution of Fernsehen der DDR the series was picked up by ARD. It was originally created as a counterpart to the West German series Tatort, and quickly became a public favorite.
Susanne is a young single mother who lives a somewhat "carefree" lifestyle. After quitting her job, she finds herself in trouble financially and attempts a minor insurance fraud to make ends meet. Despite its rare view of everyday socialism from a woman's perspective, East German officials were critical of this frank portrayal of a less-than-ideal socialist citizen and turned down all invitations for the film to be screened abroad.
After Elmers, the head of the publishing house, is reported missing, his son-in-law Jürgen Brandt is targeted by the Hamburg criminal police. Inspector Graumann and his assistant Weber presume murder. The suspicion against editor-in-chief Brandt is confirmed by the fact that he is incriminated by the testimony of several witnesses. At a press conference, Brandt claims that the Elmers murder case was staged only to exonerate the innocently convicted family man, Parsetti. But to Brandt's horror, Elmer's body is actually found.
Three members of the National Committee Free Germany form a secret commando that comes to Berlin from Minsk to take up the fight against the SS in the last days before the end of the war.
This story of the miller Florian, who gave all his money to the war against Napoleon, is loosely based on a true story. After the war, Florian's reimbursement is challenged, and he must also pay taxes on his destroyed mill. He resists the tax collectors and takes off to Vienna, where he intends to defend his rights. On the way, he rescues the Duchess of Guastalla from assault. She also wants to go to Vienna, as His Majesty Franz II is trying to contest an heir in her favor. With cunning, luck, and dagger, Florian fights his way through a slew of nobility and their secret police.
Kasper Mai, an export merchant and comrade with a “clean” record, discovers he is the prince of Hohenlohe-Liebenstein. His royal grandmother designates him as the heir to her estate. A private trip to her reveals that she does not want a NATO airbase built on her land. The GDR and his grandmother thus find a common interest, and a clever lawyer from the East works against other family members looking to settle their debts with the estate money.
Dentist Dr. Franke's selfless willingness to help is much appreciated by neighbors and acquaintances in the GDR. There is only one exception: Biggi, the beautiful coach of the ice hockey team that Dr. Franke looks after. Biggi thinks Dr. Franke is a particularly clumsy little man. But there's also Nurse Agnes, who once again has to stick her nose into matters that don't really concern her, and thus helps things along...
Josef Neumann has always been an outsider to society, and at the age of 30, he has already lived an adventurous life when he comes to the GDR. He was raised as a foundling by nuns, made an apprenticeship as a construction worker, went to the Foreign Legion, and was a seaman and a tramp. Now, he is working at the Warnow shipyard. Brigadier Bruno has a lot of sympathy and patience with the unconventional Josef, but Josef cannot fall in line with strict orders and again and again acts against the rules.
Private detective Fritsch from Munich had received a lucrative assignment: he was to obtain proof of inheritance for a Mr. Seligmann from Canada; this would bring the client a sum of five million dollars. He is therefore looking for an old document that was hidden in a valuable painting that disappeared decades ago. The starting point is a trail that leads to a town in Poland. The painting in question is said to have disappeared there in the final years of the Second World War. But the object of desire cannot be found here, and a new clue points to a grave in Frankenthal in the German state of Rhineland-Palatinate. Fretsch then found out that the painting must probably be in the villa of a personality with significant influence in the economy and politics of West Germany. Fretsch manages to get in touch with the wife of the presumed new owner of the painting and to find out the secret of his rise to multimillionaire status. But the people concerned use their resources to counterattack.
Susanne and Christian get to know each other during a wonderful week in summer - and fall in love. This, however, leads to conflicts: up to now, Susanne has been living with Wolfgang, a biologist. This shared life was harmonious and based on mutual trust. Wolfgang is not only resolute and in full command of social situations; he has also always been the stabilizing force in the relationship. This is precisely why Susanne now feels drawn to the unsettled, unsteady and frivolous Christian, the complete opposite of the calm, well-balanced Wolfgang. And Christian, working as a shift boss on a natural gas derrick, has become more aware of his personal and social responsibilities as a result of loving Susanne.
Two years ago, cinema poster painter Jonathan had agreed in his divorce to leave the sole custody for his son David to David′s mother Ruth. But at the boy′s ninth birthday, Jonathan all of a sudden returns to their house. In the meantime, Ruth has found a new Partner, Franz, whom David has accepted as his surrogate father. Although everybody tries to solve the new situation with a lot of tolerance, Franz and Jonathan become rivals. But this rivalry comes to an end when David has an accident. Now, the boy is allowed to visit his father Jonathan on the weekend whenever he wants to. But before that, David goes on one last adventure: On a trip to a vacation camp, Jonathan "kidnaps" his son to spend several days hitchhiking alone with his son. Then, he gets him back to the vacation camp.
This musical comedy based on an opera by Jacques Offenbach incorporates a twist on the classic Greek myth: Orpheus, a music teacher at a girls’ school in the ancient Greek city of Thebes, actually does not miss his wife Eurydice that much – until the gods and Offenbach himself pressure him to retrieve her from Hades.
When Jacques Offenbach's melodies are heard, the delighted audience usually asks very little about the man who inspired the great composer with his texts and fable sketches, namely the librettist Ludovic Halévy, who stood in the master's shadow. He and his friend Meilhac came up with the story of 'Belle Helena', for example, at the very moment when the scandalous stories about the Empress Eugénie were being whispered in the Parisian salons. 'Pariser Leben', 'Die Großherzogin von Gerolstein', 'La Périchole', 'Die Banditen' and 'Orpheus in der Unterwelt' are just a few of the works in which the French present of the Second Empire - around 100 years ago - was mocked with Offenbach-Halévy-like irreverence on the stage of the cheerful musical theater. And that's where we want to go now, among the wax figures of the Second Empire, which of course all, almost all, let's say around midnight, come to life.
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Dr. Zacharias is an experienced and demanding woman. She sees her daughter Manuela as the continuation and fulfillment of her own life. She wants her daughter to achieve as much or more than her, and under the easier conditions of the present time. But Manuela does not seem to be the type who can fulfill this aspiration, as she is superficial and stubborn. Manuela is even expelled from the university for cheating. But even now she seems unwilling to recognize her mistakes and turn her life around.
