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Finnish porn movie producer Pertsa returns from America to his home country to continue his profession with hopelessly small budgets and incompetent casts and crews. A self-ironic satire about director Donner's scandalous fame in late 1960s Finland, notorious for a graphic long shot of his penis pointing northeast.
When a new man appears in Tuula's life, Jorma does not tolerate the idea and begins to yearn back for his ex-wife. They drift into a situation where both face a big choice that has far-reaching implications for the rest of their lives.
Lasse is a car salesman who has vowed to never get married. He wakes up hung over one morning with a wedding ring on his finger and a nude woman in his bed.
Paavo Mäkinen's alcoholism is hard on the whole family. His wife Terttu falls into depression and is hospitalized. Their children Marja, Tapsa, and Sanna each show symptoms in their own way: leaving home, drinking, skipping school. Will Paavo manage to stop drinking for the sake of his family?
Jussi, a student admired by all women, is inadvertently selected to represent both left-wing and right-wing parties in the parliamentary elections. All Jussi cares about is the beautiful, blonde Irmeli.
A man suffering from paranoia and delusions is convinced that the city water source is contaminated
A doctor, her daughter, and her young housekeeper spend their summer on a remote island.
April is the Cruelest of Months is a 1983 film directed by Suvi-Marja Korvenheimo, also known as Anssi Mänttäri, and the final part of the Korvenheimo trilogy. It was named after the first verse of T. S. Eliot's poem series The Waste Land. The film, shot in ten days, is a satire on the candles of Finnish culture.
A group of three male friends with domestic problems behave badly.
An existential road movie based on Veijo Meri's novel Peiliin piirretty nainen (The Woman in the Mirror, 1963), following the life of a taxi driver from one evening to the next morning.
On the eve of the Finnish Civil War, the film follows the last days of Alfred Kordelin, the richest man in Finland.
The greedy lord of the manor, von Wurstburg, lives lavishly on his estate, heavily taxing the local peasants, when the official heir to the estate, the noble Sir William, arrives. At the same time, the mysterious outlaw Robin Hood, who helps the poor, sets up camp in the nearby woods. When the estate threatens to fall into Sir William's hands and the peasants rise up against von Wurstburg's excesses in Robin Hood's footsteps, the lord finds himself in a double bind.
Long-time cohabiting couple Petteri and Liisa wake up with a terrible hangover and realize to their horror that they got married the night before. Throughout the day, the couple argues and reminisces about their previous relationships, but by evening they are ready to reconcile.
The farmer now has found a wife.
According to Mänttäri, the film is about a woman as portrayed through four female characters.
Nine Ways to Approach Helsinki, shot by Pirjo Honkasalo and Eero Salmenhaara, is a documentary on the capital of Finland.
Anssi Mänttäri’s low-budget movies with their intimate content have become classics. In this black comedy that takes place in Helsinki in summer the main character (played by Mänttäri himself) jumps from one bar and bed to the next. Especially vulgar black humour.
