Acting
A police department, lead by an older, experienced detective solve crimes together.
The body of a teenage girl is found in the forest near the rural village of Manscheid, deep in the North of Luxembourg. Luc Capitani, a gruff detective from the South of the country, is put in charge of the case. Having trouble navigating the closed, communal and protective mentality of the northerners, Capitani finds himself unwillingly dependent on the help of Elsa Ley, a young and intrepid local policewoman. The officers quickly find themselves entangled in a web of secrets and lies.
Ambitious Jana is confronted with the unscrupulous machinations of the world of finance. Her working life is determined by egotism, the pressure to succeed and machismo. She soon has to decide how far she is prepared to go for her career.
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Caregiver Hans-Peter Stalder knows the secret code to happiness: a money multiplication strategy that promises hand-picked investors almost unbelievable profits - and a carefree life of luxury. There's just one catch to his story. It's a hoax and only one person stands to benefit: Stalder. For thirteen years, the notorious conman and womanizer fools his naive victims and the authorities.
This ever-popular opera is given a fresh point of view in Barrie Kosky’s highly physical production, originally created for Frankfurt Opera. The Australian director is one of the world’s most sought-after opera directors, whose Royal Opera debut with Shostakovich’s The Nose in 2016 was greeted with delight. For Carmen he has devised a far-from-traditional version, incorporating music written by Bizet for the score but not usually heard, and giving a new voice to the opera’s endlessly fascinating central character.
