Linda Beckett

Andy Millman gave up his day job five years ago in the hope of achieving the big time, but he’s yet to land a speaking part, let alone saunter down the red carpet to pick up an Oscar. He remains optimistic however, as rubbing shoulders with the A-list on-set only serves to reinforce his belief that the big time is just a job or two away.

Bread is a British television sitcom, written by Carla Lane, produced by the BBC and screened on BBC1 from 1 May 1986 to 3 November 1991. The series focused on the devoutly-Catholic and extended Boswell family of Liverpool, in the district of Dingle, led by its matriarch Nellie through a number of ups and downs as they tried to make their way through life in Thatcher's Britain with no visible means of support. The street shown at the start of each programme is Elswick Street. A family called Boswell had also featured in Lane's earlier sitcom The Liver Birds and Lane admitted in interviews that the two families were probably related. Nellie's feckless and estranged husband, Freddie, left her for another woman known as 'Lilo Lill'. Her children Joey, Jack, Adrian, Aveline and Billy continued to live in the family home in Kelsall Street and contributed money to the central family fund, largely through benefit fraud and the sale of stolen goods.

Lytton's Diary is a 1985–86 British comedy-drama programme created and written by Peter Bowles and Philip Broadley. Produced by Thames Television for ITV, it originated as a single play on the anthology programme Storyboard before expanding into two popular series, known for their mix of glamour, intrigue, and social commentary. Bowles stars as Neville Lytton, a suave and successful Fleet Street gossip columnist for the Daily News. Lytton navigates the world of high-society scandals, political corruption, and personal challenges, balancing his professional life with his love life and his ambition to write a novel.

After her adoptive mother dies, Hortense, a successful black optometrist, seeks out her birth mother. She's shocked when her research leads her to Cynthia, a working class white woman.

Six Dates with Barker is a 1971 ITV series of six one-off, half-hour situation comedies showcasing the talents of Ronnie Barker. Three of the stories were further developed: The Phantom Raspberry Blower of Old London Town was made into a serial as part of the 1976 sketch comedy programme The Two Ronnies; The Odd Job Man was adapted as a feature film, titled The Odd Job; and The Removals Person became Barker's final programme Clarence.

Working-class couple Shirley and Cyril are in conflict over whether they should have children, their problems with 'yuppies' moving into the neighbourhood and outpricing them, and the advent of Cyril's ageing mother's seventieth birthday.

In stark black and white, Terence Davies excavates the life of his fictional alter ego, Robert Tucker, in a narrative that slips between childhood, middle age and death, shaping the raw materials of his own life into a rich tapestry of experiences and impressions.

Moments from the uncompromisingly bleak existence of a secretary, her intellectually disabled sister, aloof and uneasy teacher boyfriend, bizarre neighbor and irritating workmate.

Documentary drama based on a true story, highlighting the difficulties faced by a young deaf woman, Sandra, whose attempts to use sign language are prevented in a time when deaf people were encouraged to lip read and speak. Unable to communicate adequately, Sandra becomes a target for abusive men.

Martin Ellis (Alan Dobie) is a blocked screenwriter who invites Helen, an actress (Kika Markham), to a hotel in central London to discuss an idea for a play he is writing with her in mind. As they discuss the play, Martin discovers that a businessman and an escort named Carol are sat at a nearby table and appear to be speaking lines from the as yet unwritten piece. Martin becomes anxious at what will eventually become of the girl, already knowing that the play will not have a happy resolution

A quiet and put-upon house cleaner breaks her silence.

"When you get to a man in the case, they're like as a row of pins - For the colonel's lady an' Judy O'Grady are sisters under their skins." - Kipling. Polly writes for a magazine producing glamorous makeovers for young women. Befriending a member of the women's movement prompts her to re-examine her own feminist values.

Robert Tucker, a young gay man who is almost without affect, sits in various waiting rooms. As he sits, he recalls events from the year of his childhood when his father dies. He's ten or eleven that year, picked on by bullies at the Catholic school he attends. He seems friendless. At home, his mother is quiet, his father is ill and angry. After his father's death, there's a wake, the coffin arrives, the body is removed. The lad grieves, alone.

Three boys watch horror films on late night TV and let their imaginations run wild seeing a man in a local cemetery who they believe to be a vampire.

Grace leaves her old folks' home to return to her birthplace in Lambeth, a place which has changed on the surface but at its heart is still the same.