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Ricardo Braojos

Ricardo Braojos

Directing

Known For

Resort Paraíso
10.0

Lorenzo works for an omnipresent corporation in a future of dystopian bureaucracy. His employee insurance denies him the medication that would help prevent him from losing his senses. Lorenzo quickly begins to lose contact with the world and in esperation decides to connect to the computer, making his pain cease, but becoming an eternal digital slave.

Resort Paraíso

2025
Round
5.3

Loosely based on the novel "Leakage, iron and fire" by Paco Ignacio Taibo I, "Redondo" is an amazing and brilliant cinematic journey, biting and irreverently funny, for the fantastic world of a spontaneous novelist who finds himself, putting in crisis some of the institutions and traditional values of his society​​.

Round

1986
Hora Petrolera
N/A

Alberto, a collective taxi driver, observes through the lives that pass through his car, the beauty hidden in the decadence of the oil city where he works.

Hora Petrolera

2022
La culpa la tiene Kafka
N/A

No description available.

La culpa la tiene Kafka

2017
Living Here
N/A

Tristán, a young art student, has a crush on Andrea and plans to see her at a party tonight.

Living Here

2020
Animecha Kejtsïtacua: Ofrenda para las ánimas
N/A

Documentary about the ritual of the wake of souls, the nights of 1 and 2 November, in Urich, Puácuaro, Tziróndaro, Santa Fe de la Laguna, Ihuatzio Janitzio, localities on the banks of Lake Patzcuaro, whose authors examine the roots cultural and religious festival behind the Day of the Dead.

Animecha Kejtsïtacua: Ofrenda para las ánimas

1998
The Beginning
N/A

Seeking refuge from a broken marriage, Pilar returns to her childhood home by the sea, only to find it buried beneath shifting dunes. Amid the ruins, she meets Luis and Miguel, two strangers whose paths intertwine with hers. Together, they embark on a transformative journey, uncovering the meaning of love, loss, and the resilience to shape their futures.

The Beginning

La Virgen Loca, Lado B
10.0

A feature-length documentary that delves into the life of an old spinster who, by convention, must be called señorita. Bound by rigid moral and family precepts, well-born ladies do not usually tell intimacies. However, the virgin - as the people of Xalapa have always called her - has agreed to confess and show her personal refuge, marked by solitude and the daily fulfillment of a sacrificial ritual.

La Virgen Loca, Lado B

2015