Tomislav Gelić

Growing up in 1960s Sarajevo, a young man comes of age under the shadow of his good, but ailing father, but is attracted by the world of small-time criminals. He's hired to hide a young prostitute, whom he falls in love with.

In a post-WWII Yugoslavia still under Stalinist rule in the 1950s, six-year-old Malik is oblivious as to why his father, Mehmed, has suddenly disappeared. In truth, Mehmed has been sent to a labor camp as punishment for acts of sexual indiscretion involving young girls. Malik's mother, Senija, however, has no answers, and the family must cope in the father's absence.

A village blacksmith Sekula, hard-muscled but soft-hearted, has terrible luck when it comes to love. Many women pass through his house - a local spinster of ill health, a belly dancer, a veterinarian experienced in the castration of bulls a singing star-to-be - but stay just long enough to give birth to another child, only to then run away.

Three prisoners, Combe from Rijeka, Menso from Bosnia, and Bogart from Belgrade, escape from prison. Their final destination is the city of their dreams - Hamburg. They temporarily part ways and agree to meet at the train station in Zagreb. First, each of them goes to his hometown. From there on, we follow three separate stories. In the first, Combe, in the shady harbor district of Rijeka, tries to get back at his former crime partner, Mrvi, who turned him in to the police. In the second story, we witness Mensa's relationship with his wife Riza and their children in a small Bosnian village. The third story depicts Bogart's love affair with a young teacher in a Belgrade suburb. Afterwards, at the train station in Zagreb, Bogart finds out from the newspaper that the police caught his friends. At the last minute, he changes the original plan.

An acknowledged and proven factory worker gets fired after workers' strike.

Social drama that explores issues of social justice in Yugoslav pre-war society. Marko, an honest, ordinary working man comes into conflict with the executive director in his company.

The story published in 1921 follows Corkan, general scapegoat in Visegrad, a figure of fun who himself joins in the mockery. The object of his obsession is physically inaccessible: a tightrope walker in an Austrian circus company visiting Visegrad.

A TV drama.