Patrick Duncan
Acting
Biography
Patrick Duncan is known for The Secret Life of Words (2005), Blackadder II (1986) and 48 Angels (2007).
Known For

Jim Bergerac is a detective sergeant in The Foreigners Office who likes to do things his own way. While dealing with his own personal demons Bergerac has a knack of finding trouble, and sometimes causing it.
Bergerac

Blackadder traces the deeply cynical and self-serving lineage of various Edmund Blackadders throughout British history, from the muck of the Middle Ages to the frontline of The Great War.
Blackadder

The ground-breaking soap set in a housing estate on the outskirts of Liverpool.
Brookside

A solitary nurse bonds with a badly burned patient who survived an accident on an oil rig.
The Secret Life of Words

18th-century England and Ireland viewed through the eyes of four beautiful high-born sisters - Caroline, Emily, Louisa, and Sarah Lennox, great-granddaughters of a king, daughters of a cabinet minister, and wives of politicians and peers.
Aristocrats

He's Irish, he's ageing, he drinks, is a touch cynical and when he has time writes a newspaper column. On the eve of the country's first election as an independent state, Dan Starkey's life is about to change after he finds the young woman he has just made love to dead and his only ally is a nun
Divorcing Jack

Seamus is a 9 year old boy who has been diagnosed with a serious illness. In search of a miracle, he sets off to find God before God comes for him. Inspired by Saint Columcille, Seamus sets out in a small boat without oars or sail.
48 Angels

The story of two lads from Belfast as they stumble their way through the London gay underworld in search of 'gainful employment'. This being the offering of sexual favours to older gay men in order to subsidise their respective giros. 9 Dead Gay Guys is a high-camp send-up of gay stereotypes.
9 Dead Gay Guys

A war photographer in different theatres of conflict, Belfast, Beirut, Mogadishu begins to suspect that his uncanny knack for being in the right place at the right time to get the perfect shot is making him an agent of the action that is more causal of the conflict than reactive to it. This takes the argument about whether a war correspondent is a recorder or instigator of drama to an interesting new level.