Directing
The stories of three sets of people, linked by their connection to an old suburban house in Calcutta- An orphaned young woman who desperately wants her husband to make up with his estranged parents so that she may belong to a family once more, a wayward young man desperate to find a job to support his aged father and his widowed sister-in-law, and a shadowy neighbourhood ‘madman’
Sophistication is the dominant factor in the present day life of the people belonging to upper strata of Society. Parents belonging to upper strata of Society have their own lives to lead. They hardly have time to attend to their children. Children are left to the care of the servants. Bonds of relationship between parents and children, when they grow up, do not exist at all.
In 1930s British-ruled Bengal, a prison-doctor falls in love with a convicted murderer with past connections to a freedom fighter.
A dance film idealising poverty made mainly to showcase Bose's talents. Labour leader Suryashankar is jailed for trade union activities and, when released, finds that his friend Jagdish has stolen his property and plagiarised his play Bhookh (Hunger). To take revenge on behalf of the poor, Suryashankar's daughter Kumkum (Bose) marries Jagdish's son Chandan (Bhattacharya). Later she collaborates in staging a play meant to expose Jagdish's evil past. The film's publicity slogan was 'She robbed her husband to feed the poor!'
