Ada Pistiner

The exploits of an odd adulterous couple

Escaping from a totalitarian society, in which music is banned, is rendered impossible, and the violent death of the artists, imposed by the supreme ruler, is carried out with no hesitation by his obedient servants.

Ada Pistiner’s investigation of the sources of substandard domestic items pushes its commissioned mandate to self-scrutiny, questioning both state-imposed industrial production and filmmaking processes.