Zetas Malzoni

This adaptation of a classic Brazilian novel focuses on the relations of charismatic characters within a tenement.

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A curious story: it rains whenever a couple of lovers meet. Against the weather forecast, it rains all over the city. And as the love grows, the stronger becomes the rain. Found by a television crew, they receive the title of "Rain Lovers", and their dates become public spectacles.

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On Jo's birthday, her mother, and later, her father, discover that she is not a virgin anymore - she is taking pills. The birthday party turns into a complete mess, since Jo's mother can not hold herself and accuses her daughter in front of all guests of not being a child that everyone thought she still was. Jo rebels and leaves the house, and discovers that her boyfriend listened to everything and did not help her. She decides to leave him, and to start her life again. As a woman, now.

ABC of a Strike captures the 1979 metal workers strikes outside of São Paulo. The footage sat untouched until after the death of highly-regarded director Leon Hirszman in 1987, by which time the material had a new relevance. The gripping film captures the negotiations between the labor unions and the factory bosses and shows the birth of the region’s Worker’s Party, as well as the emergence of its charismatic leader, Luiz Inácio Lula da Silva. Rising from extreme poverty, Lula gained national prominence as a union activist during the late 70s and early 80s. After being jailed during his time as a union leader, he eventually becomes Brazil’s president from 2003 to 2010.

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The documentary covers the first phase of the brazilian metalworkers' strike in 1979. It was made to be shown to the workers during the truce between the two phases of the strike, with the aim of mobilizing them for the second phase. The film shows the large assemblies, with more than 100 thousand metalworkers, in the Vila Euclides field, in São Bernardo do Campo; the mobilization for a vigil at the Union; the resulting street conflicts and the triumphant return of the board, headed by Lula, in the great assembly in which the truce was proposed.

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João da Silva Brown, a resident of Salvador, has always been a fan of comics, movies and adventure series and superheroes. Once he learns about a course for detectives and decides to attend it. With his private detective degree, he sets up an office and places an ad in the newspaper. Now wearing a cape and hat, he waits in vain for customers.

Documentary about the strikes that took place in São Bernardo do Campo, in the State of São Paulo, Brazil, circa 1979/1980. That moment was of utmost importance, since it revealed a Union leader, Luís Inácio "Lula" da Silva, who would later become President of Brazil. It was also the moment when PT, the Workers' Party, became a relevant political force in Brazil.

35mm, Color, 95min42seg, 2.624m, 24q, Eastmancolor

...discussion of leftist attitudes towards democracy and popular movements; in parallel, a discussion about the role of militant cinema in relation to real political struggles.

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Testimony by instrumentalist Osvaldinho da Cuíca with historical explanation of the presence of cuíca in several countries around the world and its popularization in Brazil based on samba. Osvaldinho gives tips on how to extract the sound from the instrument and makes a presentation at the Casa Verde Samba School Mocidade Alegre.

Short documentary on workers' movement in Brazil in the 1970s, such as the Movement Against Famine, and the policial repression against demonstrators and activists.

From its very title, Cláudio Kahns and Antônio Paulo Ferraz's Santo e Jesus, Metalúrgicos is crystal clear about where it stands and about its messianic flair. Through a wordplay with the religious connotation of the names of the two men, murdered during the worker strikes of the late 1970s in São Paulo, it associates sainthood and Christ himself with the working class. That association is reaffirmed throughout the film, from the very beginning, including by a priest. The martyrdom of metalworkers Nelson Pereira de Jesus and Santo Dias da Silva is the starting point to denounce the working conditions faced by factory workers, and the repression which ensues whenever they try to resist them. However, the film also presents us with the 'official' version of the facts, going so far as to feature interviews with the man who killed Nelson. Obviously, it sides with the workers, as it conveys the strength of the oppressed and the impudence of the oppressors.

Four generations of the Japanese woman: the struggle for survival, the cult of traditions, adaptation to the city and cultural dilution.