Sunil Sarkar

Trouble ensues when an eccentric but simple-minded villager discovers he is the only living heir of a royal estate.

In the early 1900s, Nikhilesh, a wealthy Westernized Hindu in colonial East Bengal, feels compelled to test the love of his wife, Bimala. He introduces her to his friend Sandip, a politician agitating against British rule, and Bimala is equally taken with both Sandip's anti-colonial fervor and the man himself. Personal and political tensions subsequently flare as the now assertive Bimala has to make a crucial decision.

Against all odds, love finds its voice in a tale of forbidden romance, resilience, and the power of truth. Manju's mother keeps her very strictly disciplined. What happens when she falls in love with Nirmal?

Gangacharan is the new Brahmin of a village, where he assumes various duties: teaching, organizing religious events, and trying to prevent epidemics. But in that year 1943, war is raging (as reminded by the planes occasionally heard flying over the countryside), and a major famine is under way. As food shortages reach catastrophic proportions, Gangacharan attempts to preserve his privileged situation, while his generous wife, Ananga, conversely tries to help and support the community.

A young boy becomes a target for crooks, after he claims to remember his past life and mentions precious jewels in a golden fortress.

When Goopy and Bagha learn about Hirak Raja's tyranny, they try to set him right with the help of Udayan, a school teacher, and their magical powers.

Setap, a money-minded man, gets insecure when he hears a rumour about his dutiful wife and spendthrift brother, Mahatap. Soon, things go out of hand when Setap's rage takes over. Setap became mad hearing those words from Ghoton.

Nupur Chatterji has fled from her home in Delhi, resisting an arranged marriage with a man she dislikes. She comes to Calcutta to her college friend, but as her home is not safe she takes shelter in the house of one Anjan Mukherjee. Though initially annoyed, Anjan, a bachelor and a music director cum singer from Lucknow, comes to empathise with Nupur. In this situation enters the great detective Bhanu with Jahar, his assistant, for by now Dr. Digambar Chatterji has declared a prize money of ten thousand rupees for finding his missing daughter.

While on their way to Hinglaj, Maharaj and his companions meet Kunti, who was raped by dacoits, and Thirumal, whom she left her family for. Together, they set out to seek the blessings of God.

Sansar is a social drama that shows the story of a happy family. Though Shanti is the second daughter-in-law of the house, she is given the responsibility of the house. She helps her husband with money by selling her jewelry to make a machine. Subhas, Shanti’s brother-in-law helps her in this matter. One day in shortage Shanti with the help of Subhash kept her sister-in-law’s gold necklace in stake without informing her. Conspiring Subhas, Satyen, and Subodh were sent to jail by Ajit. Due to the shortage of money, Satyen had to sell the machine to evil Ajit. But in prime time, Ajit’s uncle came to know the matter and rescued Shanti’s family from danger. The film ends on a happy note where all the dangers are removed from the family and they live peacefully, clearing up all the misunderstandings against each other.

Shyamali, who is both hearing and speech impaired, faces several struggles in life. While the man she marries supports her, she is not accepted by her in-laws.

Shipra is a poor woman who is molested and killed as she witnesses corruption. The police and lawyer Somnath take up the case and slowly dig into it. He traces the corrupted policeman and comes to know that Karuna, the head lady of the orphanage where Shipra used to live is equally involved in female trafficking. However, when he sees Karuna his world is turned upside down. Karuna is Shukla, Somnath’s long-lost wife. Circumstances had led her to become a puppet in the hands of the gangsters. However, she is to keep mum about the entire conspiracy, lest they kill her only daughter. Somnath gives assurance to Karuna to speak the truth. She does that and, in the end, the entire gangster network is caught. Karuna’s daughter is proved to be Somnath’s daughter. They get together again.

A film by Tarashankar Banerjee.

Master Roop Singh in disguise leads a band of dacoits in Madhya Pradesh. He has a change of heart at one point while hiding from the police and after a series of incidents involving his humanitarian feelings, he tries to surrender to the police but in the process many of his men die and Roop Singh survives.

When the messengers of 'Yamraj'- God of Death - mistakenly bring an alive, honest person to hell, he starts a revolution to fix outdated rules of heaven and hell.

Ramesh is the eldest brother in a close-knit joint family. When his salary is doubled, he pays more attention to his wife and child's needs, making others jealous. The family disintegrates as members start moving out to live separate lives. Will they realize the shortcomings of living independently?

Lalu and Chinta are neighbours and extremely good friends. One morning both of die and reach hell. However Yandyut exclaims that there was a mistake and that they were not the individuals he intended to kill. He orders Lalu and Chinta to be sent back to the earth but the latter claim for a tour of hell as compensation. Soon the friends find themselves back on earth but soon realize that their souls have been exchanges in error. This leads to a series of confusion of themselves as well as their near and dear ones. In the end their souls come back to themselves and there is no bound to their happiness, much to the amusement of the rest who did not know why they were so happy.

Hajari Thakur, a middle-aged Bengali Brahmin cook, faces humiliation and exploitation at his job while harboring dreams of owning his hotel. After overcoming numerous challenges including wrongful imprisonment and financial hardship, he successfully establishes a thriving hotel business, eclipsing his former employer and even securing a contract to manage large railway hotels. In a surprising turn of events, Hajari offers his former tormentors, Bechu Chakraborty and Padma, positions in his growing enterprise, showcasing his resilience and magnanimity.

Jayanta Chowdhury, a ground engineer, is gravely injured and is received by his fiancé, Kuntala who takes care of him. However, Jayanta is not at peace as he suspects a conspiracy. He returns to Kolkata, much to Kuntala’s dismay, and starts following another ground engineer Sandeep Mukherjee, who he believes has betrayed his employer. Jayanta gets together with the Intelligence Officer Ranjit Mitra and traces Sandeep’s whereabouts. Sandeep is actually involved with the criminals Krishn Chand and Abdullah who force him to plant a bomb on an international flight. Sandeep, rather unwillingly, gives in as he needs money to treat his handicapped younger brother. Although he loves a girl named Ruby, he is unable to marry her for the same reason. Jayanta takes up the name of Arun Roy and befriends Sandeep to learn more about him. And the plot thickens.

Maryada was a Bengali drama film directed by Digambar Chattopadhyay. This movie was released on 15 December 1950 under the banner of Bhabani Kalamandir Limited. This is the third and first movie in which legendary Bengali actors Uttam Kumar and Bibhu Bhattacharya appeared respectively. In this movie, Uttam Kumar leaps on a song for the first time in his career.