Acting
Tatort is a long-running German/Austrian/Swiss crime television series set in various parts of these countries. The show is broadcast on the channels of ARD in Germany, ORF in Austria and SF1 in Switzerland.
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A show about two Bavarian police officers, Franz Hubert and Johannes Staller, who sometimes work a bit differently. Where Franz wants to follow regulations, Johannes likes to do things his own way.
When a gruesomely staged body is found at the German-Austrian border, two detectives investigate. As the ritual-like murders continue, they enter the killer’s sinister world, set in the Alpine wilderness.
Wolffs Revier is a German television series.
Stubbe – Von Fall zu Fall is a German crime detective television series starring Wolfgang Stumph as detective Stubbe. It is being broadcast on ZDF, the second German public television channel since 1995.
Everyone in the Bavarian village of Frühling knows her: village volunteer Katja Baumann. Whether it’s milking cows or lending a helping hand to someone in need… Katja is always there.
Hausmeister Krause – Ordnung muss sein is a German sitcom with Tom Gerhardt in the title role, shown from 1999 through 2010 on Sat.1. The series parodies typical German "squareness". Half-day janitor Dieter Krause is the embodiment of the German "square"; he is pernickety, blindly follows order, denounces others, is nosy, consistently puts his own interests above all else, acts subservient to his superiors and is brutish and unjust to those he deemes below him. Many plot elements — mishaps, misunderstandings, and frequent cases of mistaken identity — originate from Boulevard theatre. The characters in the series borrow heavily from those in Tom Gerhardt's film Voll normaaal, in many cases sharing names. In Voll normaaal, Tom Gerhardt played the roles of both Dieter and Tommie Krause; in Hausmeister Krause, Tommie was played by Axel Stein. Daughter Carmen is played by Janine Kunze. Other characters from Voll normaaal, such as Tommie's friend Mario, are relegated to the status of background characters. The scope of action also changed.
Survival is not enough. Fariba Tabrizi has made it. Under peril of death she has fled from Iran. In Germany she has no alternative way of avoiding the threat of deportation other than to assume the identity of a deceased co-detainee. So what happens after a few month in which she has tried to come to terms with a situation which is actually an insufferable one for her? How does Fariba live not only in this external state of exile but also in an inner state of exile? The term "in orbit" is officially used by the UN to refer to asylum-seekers who find themselves orbiting around planet Earth because they can actually find legal domicile nowhere at all.
Emotions and feelings should not be confused with sentimentality. Emotion is ancient and more powerful than any artistic expression. The film observes young couples facing difficulties while trying to move their love experiences towards clear decision making. A film full of ideas, details and associations, fictional scenes, documentary footage, archival materials and opera music.
Fiona, a tenancy lawyer from the big city, wants to spend a weekend in the Black Forest with her boyfriend. He is having fun with business partners on the golf course, she is taking part in a wellness program. When a fallen tree blocks the road to the hotel, the young woman comes into contact with grumpy logger Sascha and finds shelter on Josef and Marlies' farm. What Fiona experiences there makes her think about her life. What's more, she suddenly feels attracted to the taciturn woodcutter.
Pension landlady Sophie imagined her job as mayor differently: not even the garbage collection works anymore! In order to defuse the scandal, she temporarily stores all municipal waste on her own yard. The improvisation artist gets active support from Felix, who appeares virtually with a paraglider out of the blue and skilfully turnes Sophie's head. Just now, Sophie's ex-mother-in-law Brigitte is at the door. The grande dame from Paris wants Sophie to return to her son Phillippe to prevent the unsuitable young successor who, in her opinion, does not come from a good family and only wants to take over the business. While Leonie is happy about her grandmother's visit, Sophie wants to know as little as possible about her. She is amazed at the unexpected magic that the sophisticated Brigitte unleashes on her grumpy barn occupier Barthl. He buys an elegant suit and dresses up neatly to impress the elegant elderly woman. But unfortunately more uninvited guests show up.
