Erik Enocksson

As the end approaches inexorably, the last humans, living millions of years into the future, send a message to the humanity of the present that is both a plea for help and a warning, but also an epic tale of evolution, decline and hope.

The last summer the five boys are together in Falkenberg. They are now grown up to be young men, on their way out into the world. At least most of them.

Aaron, a young misfit living in a remote Scottish fishing community, is the lone survivor of a strange fishing accident that claimed the lives of five men including his older brother. Spurred on by sea-going folklore and local superstition, the village blames Aaron for this tragedy, making him an outcast amongst his own people. Steadfastly refusing to believe that his brother has died, he sets out to recover him and the rest of men.

Hnutove, Donbass, eastern Ukraine, 2015. Young Oleg lives in a war zone where anti-aircraft gunshots and missile attacks often resonate dangerously near. Although many inhabitants have already left this dangerous area, he remains with his grandmother, who has cared for him since his mother's death, because they have nowhere to go. They are just waiting for the war to end.

Recently orphaned, Richard has been sent to live with relatives in the remote US town of Ballantyne. One day, during an innocent prank in a phone booth, Richard shockingly witnesses his classmate getting sucked into the phone receiver – disappearing without a trace. The local police suspect Richard to be responsible, and no one believes his story. No one except Karen, a fellow teenage outsider. Together, Richard and Karen must embark on a quest to solve the mystery and prove his innocence, but soon realise evil forces and black magic are closing in on them.

A descent into hell, Jesper Ganslandt's disturbing and suspenseful second feature begins with a man waking up in unfamiliar surroundings, only to find the life he knew the day before is gone.

An eleven-year-old boy observes his neighborhood as its surface orderliness rots away.

Role-playing and multiple narrative layers are interwoven in a complex and philosophical film about learning, life perspectives, and facing profound changes.

Dawn in the Swedish woods. A small group of people work in an otherwise quiet forest. A piano is placed in the moss and sinks down. An organ and amplifier is placed just next to it. The choir finds its position in between the pine trees.