Yeung Yip-Wang

Poor teacher Chan Chi-hong, his wife Lee Yuk-mei and their five children survive on his meagre pay. When he is laid off by two schools in a row, the family runs into difficulties. The children resort to begging on the streets to pay the mother's medical bills. Turning to writing, Chan's novel fails to find a publisher and, worse still, he comes down with tuberculosis. Dealt a further blow by the death of the youngest daughter and the pressures from the loan sharks, Chan contemplates killing himself and his family but changes his mind when he witnesses the sacrifices made by other parents for their children. He vows to be a dutiful father and tries his best to overcome their adversities. His novel is finally published and sells well. Through thick and thin, the family at last sees the light at the end of the tunnel.

Sequel of "The Secret Book"

A child learns martial arts in order to become a Kung Fu warrior. Features the Seven Little Fortunes, and is the debut film of Jackie Chan.

A poor orphan seeks help from her wealthy uncle and his sons.

The Eighteen Darts (Part 1) is a Chinese Opera Musical starring Jackie Chan, Sammo Hung and Yuen Biao in child roles.

The Eighteen Darts (Part 2) is a Chinese Opera Musical starring Jackie Chan, Sammo Hung and Yuen Biao in child roles.

Chor Yuen started his directorial career with a bang. From its very first image, The Natural Son establishes Chor as a filmmaker of stylistic flourish, which would be sustained in various forms throughout his long tenure. Adapted from '30 cents' pulp fiction, it is a Kong Ngee melodrama made in the studio's mould, with Westernised characters and trendy middle-class lifestyles. Yet, Chor's first film is not exempt from the social urgency that characterises the Cantonese cinema of his father, Cheung Wood-yau. The film cloaks its entertainment in a moral deliberation on blood ties, its story about the raising of a bastard child a head-on challenge of archaic family values. An ostentatious start for a colourful and eventful career.

Shih Hai-tung a swordsman seeks revenge for his father's murder knowing that the Golden Gate Sect were responsible. He had killed two Heavenly Dragon Association gangsters creating a significant amount of hostility between the two groups before they meet each other head on.

Chan sisters Chan Meiling and Chan Meiyu are respected high class, women in Hong Kong's more upscale neighborhoods. However, they both share an alter-ego called the Black Rose, a notorious cat burglar who dresses in a black leotard, and steals from the rich to give to the poor - taking on a Robin Hood-style mission. Even with their antihero status, the Black Rose has created uneasiness and tension in the high society; therefore, an insurance detective investigates the crimes and tries to unmask the woman behind the cat mask.

The creative person torn between ideals and reality is one of Chor Yuen's favourite characters in his 1960s films. Another favourite subject is the rose, not only featured in the title of several films but is also the name of the production company he formed with his future wife, Nam Hung, who also stars in most of its productions. Rose in Tears is in fact the company's inaugural project. The story features two painters, one famous and the other struggling but both infatuated with the same delicate rose of a woman, negotiating their ways through art, commerce and love. With this heart-tugging story, Chor finds a vehicle for his baroque impulses, relishing in lavish images and over-the-top emotions.

Enter the dragon villain, Shek Kin, is the Leader of the Black Centipede clan, a ruthless gang who terrorize the good people of Fuzhou, Walter Tso and Connie Chan are taught some tricks from---old Sam the Seed himself on how to bring down the Black Centipede clan.

The master of the Soul-Snatching Banner has re-emerged in jiang hu to cause chaos and disruption. He leaves his mark - the killing flag - to show where he will strike next. The younger generation of swordsmen and women seek him out to end his rampage but each end up badly injured and dispirited. Part one of two.

Orphan Lee Dan-hung is made a scapegoat by her cousin Chor Kwai-ping. Facing drug trafficking charges, Lee is released on parole with the doctor To King-chung as guarantor. Lee works as a sanatorium nurse. The modest caretaker, Matriarch To plays matchmaker for her son To Ngan-sing and Lee. Ashamed of her past, Lee listens to the doctor's advice and keeps the Tos in the dark. Chor returns and coerces Lee into colluding with smuggling ring by threatening to kill her newborn daughter. The reluctant Lee is arrested in a police raid together with the gang members but is later acquitted. With a reputation to defend, To toughens his heart and expels Lee. Lee leaves for Borneo with a touring opera troupe but a yearning for her daughter brings her back several years later. Feeling for the upset in-law, Matriarch To grants her stay until his son's return from business in a few months' time. When To returns, he decides to make up for the wasted time by bringing Lee and her daughter home.

Chuan Yuan is the noble, powerful hero and Shu Pei-pei, one of Shaw’s top swordswoman, is a reluctant bride who comes upon a rebellion plot. They are joined by a large cast of expert fighters and actors all keeping the intrigue and adventure foremost in the film. There’s even a nice surprise ending amidst all the action.

HK crime film.

The movie is lead by martial arts film stars Cho Tat-Wah and Yu So-Chow, the new generation famous martial arts film couple Chan Po-Chu and Siao Fong-Fong was participating in the episode fifth. As the name suggests, the movie is actually in sense of the Buddha’s theory. According to my understanding in the whole series, I believe the episode fifth is more likely in sense of the Buddha’s theory. So I try to translate in English hoping those who are not familiar with Chinese can enjoy the true spirit in the movie. The story is about how the odd-demon create his “mutilation-poison leg”. At the same time his disciple Dragon Girl realized his cruel means to all men including herself. Despairing Dragon Girl finally met her bosom friend Yuan Tung and her benefactor Long & Qiu and pull together to wipe out her evil master.

Hong Kong's Ironman stepped up to the plate when Dr. No (1962) took the world by storm in the 1960s. Tso Tat-wah, the quintessential tough guy of Cantonese cinema who had appeared in dozens of popular action films, was licensed to spy in several 007 imitations. Here, he is Agent 303, the lucky number "3" a vivid sign of East-West integration. Presented in glorious widescreen, the film is garnished with secret weapons and ominous hideouts, mind games and technological intrigues, violence and sex, the latter in the form of a silhouette striptease!

Lee Sun-fung is renowned for adapting literary classics for the silver screen. To commemorate the seventh anniversary of the Union Film Enterprise known for producing quality films and co-founded by Lee, Human Relationships is adapted from writer Ba Jin's novel into film. The Yiu family moves into a manor. Mrs Yiu, while frustrated by the way her step-son is spoiled by her husband and mother-in-law, develops a friendship with a kid (Michael Lai) who steals flowers from the mansion's garden. She later learns that he is the son of the place's former owner whose downfall at middle age is the result of being spoiled when young. Lai was only a child but gained a foothold among seasoned veterans like Cheung Wood-yau, Ng Cho-fan and Pak Yin.

Find the secret book

Historical Drama