Acting
Mecklenburg, 19th century. For generations, the Brand family of farmers has worked a piece of land as tenants of the baron, who owns almost all of the village's land. The baron himself comes from a family of farmers who became rich through corruption and were ennobled. He is the absolute potentate, no one dares to contradict him, he takes what he wants and stops at nothing in his excesses. At the same time, he is the center of petty bourgeois, bigoted social life. Johann, the stable boy, wants to marry Mariken Brand and asks the baron for a piece of land so that he can build a life of his own. But the lord is harsh, not only refusing him the land, but also increasing the rent. Johann rebels, trying to rouse the farmers in the village from their lethargy—in vain. Only when Mariken dies does the mood change. A peasant uprising breaks out, and Johann kills the baron.
When Prince Vain got his shirt fixed, he proclaims that he had slain two lizards in front of the tailor's house - "two in one strike". When the tailor swats seven flies at once, he sows himself a banner saying "seven in one strike", and together with his bird he starts a journey into the world to pronounce his deed.
In a transport museum, the items on display begin to tell their stories. Most interesting is the history of the Pullman car. In the beginning, it served as transport for a princely family; then became the headquarters car for the military high command; and then, most adventurous of all, it ended up with a circus. Converted to a bar, it finally had its day and was supposed to serve as a placard carrier. Luckily, the museum saved it from this sad fate.
While staying with her aunt at a fashionable spa, Else receives an unexpected telegram from her mother, begging her to save her father from debtor’s jail. The only way out, it seems, is to approach an elderly acquaintance in order to borrow money from him. Through this telegram, Else is forced into the reality of a world entirely at odds with her romantic imagination – with horrific consequences.
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On his travels, Paul, a journeyman from northern Germany, runs into a childhood friend, Lisei, a puppeteer's daughter. They fall in love and get married. Together with Lisei's father, the young couple moves to Paul's hometown. Although Paul himself is accepted - even respected - by the stuck-up and snooty citizens, the young woman is rejected by the town dwellers, who are imbued with class arrogance. Paul stands up for his wife but the scorn and abuse heaped on her weigh heavily upon him.
A banker who had fallen out with his family stipulated in his will that his fortune should only pass to the person in possession of the five keys he distributed to his relatives during his lifetime 80 years after his death. Only with all five keys can the cassette in the vault of a bank be opened, granting access to the deceased's assets. 75 years after the banker's death, the fugitive crook Murphy comes into possession of one of the keys, together with a list of the names of the owners of the four remaining keys. Over the next five years, he manages to obtain two more keys by criminal means. Now he just has to get the fourth key from Carlo and the fifth key from the young, rich widow Maria. Any means will do. But the unscrupulous villain has not reckoned with Carlo's shrewdness, who initially falls under suspicion himself, but then takes up the pursuit of the criminal.
Lifelong hard work for the count makes the servant Anton a cripple. Everybody calls him Crooked Anton. When, after the end of the war, the land of the count gets divided amongst the farmers, Anton receives a piece and hopes to be able to work freely. But an old debt and intrigue keep Anton and his family from finding peace. The farmers of the village begin to discover their own power when Annegret, Anton's daughter, leaves. Is a new beginning possible for Anton? This film paints an impressive panorama of the development of a minor village in Mecklenburg from the end of the war to the uprising of 17 June 1953.
French milliner Yvette has a small fashion salon in DĂĽsseldorf. The young gentlemen of society fall at her feet, but she is not accepted into their circles. That's why her former lover Maurice Daurignac manages to persuade her to pull off a big coup to get revenge on "high society". She pretends to be the heiress to ten million gold francs. A notary arrives from Paris accompanied by two supposed policemen and delivers the alleged money in a sealed parcel to the Bleichstetter bank in DĂĽsseldorf, where it remains until the end of the inheritance process. The case drags on, and in the meantime the two are living large. When the bombshell bursts, Yvette has the young lawyer Dr. Hellmer to thank for the fact that she cannot be thrown to the angry citizens.
During the Thirty Years' War, Christine, an orphan, falls in love with the colonel Count Merian. In order to always be with him, she puts on men's clothes, becomes a troop boy and later even a cornet - only the sutler knows her secret. Little by little, Christine realizes that the man she loves has been brutalized by the war and is no longer capable of true feelings. When she gives herself to him instead of a peasant maid, she is horrified by his brutality. She shoots him in a duel. She is sentenced to death as a cornet, but acquitted as a woman.
Reinhold SchĂĽnzel plays the rigid representative Traugott Bellmann, who publicly condemns the low morals of the night life. Although Belmann's stance is supported by his wife, he is strongly opposed by his father-in-law, a champagne manufacturer. But when he inherits 500 000 Marks in cash and the infamous nightclub "Der Himmel auf Erden" ("Heaven on Earth") from his deceased brother, Bellmann really gets himself into trouble: In order to fulfil his brother's will - and to get hold of the money - , he has to be at the club every night at 9 pm.
Berlin 1849: The democrat Adolf Glasbrenner, known as Brennglas, publishes the political satire magazine "Phosphor" on a shoestring budget. He plans to marry his lover, the actress Adele Peroni. But the plan comes to a standstill when Adele is to make a guest appearance at the reactionary Royal Prussian Playhouse. A democratic journalist marrying a court actress? Impossible! Together with his friend Pulecke, Brennglas tries to disrupt Adele's performance with a bachelor party...
The Duty to Remain Silent (German: Die Pflicht zu schweigen) is a 1928 German silent drama film directed by Carl Wilhelm and starring Marcella Albani, Vivian Gibson, Angelo Ferrari. It was based on a novel by Friedrich Werner van Oestéren. The film's art direction was by Max Heilbronner.
Post-war Germany: Like so many other women, Gerda Krause has lost her husband during the war and has to fend for herself and her two children. She finds work as a seamstress but refuses the offering of her department chief Zimmermann to upgrade her qualifications. One day she meets Uschi, an old friend of hers, whom she has helped with schoolwork before the war and subsequently lost track of. The reunion reminds Gerda of her childhood dream: to become a teacher. Thus, she decides to enroll at university to make her dream come true.
The Prince of Guastalla falls in love with the young citizen Emilia Galotti, who is soon to marry Count Appiani. In order to win Emilia, the prince tries to send the count on an "honorable" journey on his behalf with the help of his chamberlain Marinelli. However, after the Count refuses this offer, Marinelli decides to have the wedding carriage robbed on his own initiative in order to have Emilia abducted to the Prince's nearby pleasure palace. But he has not thought of the prince's mistress, Countess Orsina, and Emilia's shaken father Odoardo, both of whom soon arrive at the castle, one to meet the prince, the other to look after his daughter...
Musical vehicle for up and coming Dolly Haas, as a would be actress with a would be composer boyfriend. She sings,at one point, that she has the walk of (Lilian) Harvey, the mouth of Garbo and the legs of Dietrich.
