Badra Andhipani Jagat

A woman of nobility battles patriarchal norms in order to improve educational access for women in early 1900s Indonesian society.

Pras and Arini's love was destroyed in Arini's eyes when he chose to marry Meirose secretly. Their ideal marriage collapsed instantly.

Students of two different high schools, infamous for their rivalry in school brawls, are gathered together to be disciplined by Lt. Col. Rahmat.

A melodious voice does not necessarily makes Adina (Tissa Biani) a member of her school‘s qasidah team. Faisal (Surya Saputra), Adina’s father, forbids her. Faisal strongly urges her to focus on studies. Adina’s family never lives long in one place. They often move and are excluded wherever they live. Adina slowly began to understand. Her family are considered heretical. Although Adina does not understand what it is heretical. Driven by the desire to make his family proud and respected by others, Adina determines to follow MTQ contest and to win it. But, her desire gets obstacles. Faisal existence is considered a problem by the neighbours. Faisal gives an ultimatum to his wife and children: not to behave any kinds which make them into the spotlight. One little mistake will make them not only expelled from their homes, but their safety is also threatened.

The police found a woman named Ferlina (38) dead in her own home. Rio (18) who is her only child, became a witness to the incident to uncover who is the perpetrator of the murder.

Bian falls in love with the gentle giant, Gabriel who eventually opens his heart to her. But Bian's past trauma comes back to haunt her.

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Haufan arrives in his hometown with the feeling of agitated because he has to accept his father’s death while he was on his way to visit his father after a while. Haufan must escort his father to the last resting place by doing the funeral process which is Haufan’s family tradition. In this funeral process, Haufan found out things that he never knew before.

After 11 years, Arga (24) a documentary filmmaker, return to his childhood village that submerged in rob. He returned for a pilgrimage to his grandmother’s grave.

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The Indonesia political turmoil of 1965 prevents Koesno from pursuing his dreams. His desire to dance clashes with political prejudice against dancers, thrusting him into dangers he cannot comprehend.

Doni was playing marbles on the field. Suddenly Mamat and his men came to Doni, angrily taking Doni's marbles. Doni went home to think of a way and then found a golden marble. He returned to the field and challenged Mamat to a game of marbles, betting with the condition that if Doni won, his marbles would be returned to him.

Having a sense of trauma due to violence his parents in the past made Kaloka want to heal his inner child with find peace and be a surrealist painter who loves to listen ancient Javanese songs. When he can feel the presence the love of his life, at that moment he confronted by worldly betrayals that turn it into the dagger deliberately scratched in the recesses of his heart the silent one.

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