Acting
Nora is a young housewife and mother, living in a quaint little village with her husband and their two sons. The Swiss countryside is untouched by the major social upheavals the movement of 1968 has brought about. Nora’s life is not affected either; she is a quiet person who is liked by everybody – until she starts to publicly fight for women’s suffrage, which the men are due to vote on in a ballot on February 7, 1971.
Fitness training, diet, extreme sports: Toni Faller fights the hamster wheel of everyday life and the mid-life crisis. His wife Marianne and daughter Daniela watch the changes with mistrust. They soon feel like they do not know him anymore, while Toni gets more and more confident. It's only a matter of time before it pops.
Christina is in her mid-twenties and in a sensual and playful relationship with her boyfriend Joel. Though it irritates her when Joel takes erotic photos of her during sex, she gladly submits to it, for him. After all, they’re not teenagers anymore. Christina eventually starts to question her trust in Joel when she sees him tipsily showing a photo on his phone to their mutual friend Tanner. Christina’s doubts alone suffice to put the couple’s relationship to the test.
When her apartment is terminated, student Nelly moves with her slightly demented grandmother to her plot in the community garden. Inspired and supported by her enamoured neighbour, she sets off to fight the pedantic president of the family garden, Franco, and unwittingly shakes the well-kept secret that once divided her family - and which had its beginning in the colourful and multicultural community garden world.
When a convicted felon fails to return from his prison leave and a young woman is found murdered, forensic psychiatrist Roman Mettler finds himself fighting for his existence. It was him who had composed the report permitting the leave.
Gerda’s date with her neighbor does not go as planned when her mother – a narcissistic but humorous grande dame of the theater – shows up at the door. During dinner, both the accusations and the theatrical eccentricity of the visitor escalate to frenzied heights.
