Néstor Lescovich

A mature woman and a younger man are romantically related.

A woman working for a crime lord must find out who stole a sum of money from her boss.

Fantasies, those states of mind that can be fleeting or eternal, are the central theme of the film. A man in his fifties, remarried to a younger and very beautiful woman, imagines for a long moment—the length of the film—a relationship between his wife and his 20-year-old son. Within the story—and the fantasy—there is a complex network of time periods that makes it impossible to separate reality from imagination.

It summarizes the encounter, at the end of 1999, between the bewildered Victoria and a man who has just arrived from Madrid to meet her on the last day of the millennium. The minimal dramatic substance of this situation acquires a singular character insofar as that man is her father: the girl is 27 years old and it is the first time she is going to see him.

Rafael (Dumont) is a desolate retiree who doesn't want to live anymore and who travels to Mendoza with the idea of committing suicide. He stays at a small-time hotel called Rex, and there he meets Gladis (Spelzini), a lonely woman who works as a maid and takes care of her blind brother. Both live a sad life, with many marks from their past, but little by little a relationship between them is emerging.

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