Carlos Betão

After making a pact with Jequitibá, José Inocêncio becomes a mythical figure, known as the most successful cocoa farmer in the region. While still young, he wins the heart of Maria Santa. Their intense passion results in four children: José Augusto, José Bento, José Venâncio, and the youngest, João Pedro, who never had the opportunity to know his mother, as she dies while giving birth to him. This tragedy fuels José Inocêncio’s anger, blaming João Pedro for the loss of his great love. Throughout their lives, indifference and resentment mark the relationship between the father and his youngest son. As if the past weren’t enough, years later, the arrival of the mysterious Mariana puts all these emotions to the test when both father and son fall in love with the same woman. This situation reawakens feelings that were either dormant or previously unknown to them.

A great love story, a family rivalry that spans generations: the telenovela narrates the love for the São Francisco River, which is revealed in the feelings between Maria Tereza and Santo.

Naïve and provocative Gabriela is a raggedy migrant worker who arrives in town to mesmerize all with her playful and simple, yet raw sensuality. Set in 1925, the story unravels in Ilhéus, a quiet northeastern coastal city thriving with cocoa crops and aspirations for progress, even though the traditional ways still rule.

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The story of two country folk, Josué and Rosa, and how they meet to become one of the most famous cangaceiro couples of all time.

Miguel is a federal agent, highly trained and skilled in weapons. After experiencing trauma in his personal life, he sets out on a journey of revenge, assuming the identity of a masked vigilante. The Awakener decides to do justice with his own hands by exterminating corrupt politicians.

Based on historical facts, the film portrays the largest slave rebellion in Brazilian history, the Malê Revolt. The uprising mobilized the black population in the streets of Salvador against slavery in 1835. After the failure of the revolt, the protesters were harshly punished and repression against black people in Brazil increased.

Free adaptation of Machado de Assis' classic. The narrator is a rich dead man, who tells us about his life and times, making fun of both.

About the life and adventures of a gang of abandoned street kids known as "Capitães da Areia" (Captains of the Sands), in Salvador, Bahia, during the 1950s.

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Friends of the recently deceased Quincas take their pal's body on one last tour of his favorite spots in Brazil's Bahia.

A street singer, a former prostitute and her jealous husband, two thieves, a teacher and two children. All strangers. All in the same place. Five stories that could be one: the search for what we call happiness.

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To escape past traumas, a truck driver João decides to leave his hometown behind and travel cross the country. Alone and lonely he drives all over Brazil until João discovers hiding in his truck a motherless boy looking for his father. Reluctantly, João agrees to take the boy to the nearest town and, during the trip, he finally finds the courage to face his past.

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Bené spent many years looking for his spiritual evolution in a small country town. He has made great progress and is fully integrated into the community, but will be put to the test when he meets Letícia and is brought into the underworld of the big city.

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After hearing about a Brazilian folklore party at the neighborhood school, Fernando, an 8-year-old child, decides to go dressed as Curupira, with a skirt and everything, and suggests it to his grandfather, Mr. Lino, 70 years old. The dynamics between grandfather and grandson begin to be affected as Lino perceives Fernando to be a different child. Through subtleties in the dialogues and the silence, social conventions and the responsibility of being the guardian-protector of something precious, the film evokes conceptions of the masculine within a queer childhood.

In Pau Brasil, a small, lost village in the heart of Brazil, the families of Joaquim and Nives live side by side. Despite living in the same perverse structure of social oppression, they deal with life in radically different ways.