Jaime L. Lozano

A story about a police commissioner and his doctor friend, the appearance of a woman's corpse and the suspicions that are woven around it linked to committee politics, police corruption, and even myths and legends.

Gregorio is a Tupamaro exiled in Spain who has returned to Uruguay. He has not yet revealed his secret: on the site where today he intends to build a house for his family there are buried weapons and ammunition from his guerrilla past.

No description available.

Manuel is a hustler whose only aspiration is to get out. He thinks he sees salvation when fate crosses him with Julio, an old friend, a trusted employee of an obscure business consultancy, a front for a company dedicated to money laundering. Without hesitation, Manuel will try to convince Julio to do “some business together”.

A story of authoritarianism, fears, frustrations and love, which revolves around a simple can of paint that unleashes many conflicts, plunging members of a family from a humble neighborhood of Buenos Aires into permanent disagreements.

The film tells the story of a long-divorced couple who have watched their now-adolescent son grow up separately. This brings a sense of remorse that affects the parents, who decide to reunite to offer their son a way out of the hopelessness he finds himself in.

Camilo undertakes a journey that will take him from the cane fields to Las Puertas del Cielo, a brothel where he will meet Mecha. There he will wake up from his unconsciousness in the midst of the passions, interests and violence that move the world of money and politics of the time.

Documentary based on the work of Edmund Valladares, the artist who complements the fusion of languages ​​with total naturalness. It shows the development of his own current of development, both spiritual and ideological, through all the disciplines that this integral artist develops: plastic, cinema, sculpture.