Sarah Zaharanski

SOKO Donau is an Austrian television series.

A medic lives with his small and strange family between the mountains and every episode he comes across a situation with not only his patients but also his family and friends.

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Insults, humiliation, violence, sexual assault - the world behind the camera and the scenes can be a nightmare for many theater and film professionals. Apparently there is a real climate of fear in some film and theater productions. Some directors, but also well-known actors, apparently abuse their power and treat those around them on set or on stage with contempt or even abuse. Individual cases have been known for years, including under #metoo. But are they really isolated cases? Or can directors and actors allow themselves anything because the system allows it? In their three-year research, the documentary filmmakers spoke to more than 200 film and theater professionals about the problems in their industry. How much responsibility do the alleged perpetrators bear for abuse of power and how much responsibility does the financiers, production companies, broadcasters and also the audience bear?

Monika Donner is a transsexual elite soldier, a front figure for gender rights and an author celebrated by the political right-wing. She, who was once a he, quickly becomes a lone fighter between the ideological fronts.

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Drawing inspiration from Wald, a 2015 novel by the bestselling author Doris Knecht, as well as her own traumatic experience of witnessing the 2020 Vienna attack, writer-director Elisabeth Scharang retreats to the woods in this atmospheric and soul-stirring film.

Village policeman Gasperlmaier has a tough time in his third case. He's immediately summoned from a funeral to the bathroom of a family home. There, he finds a dead body. Together with his new superior, the investigation begins. But the first death is followed by a second. More and more pieces of the puzzle are piecing together a grim picture from the past. There's little time left for Gasperlmaier and his new boss, and it seems his mother-in-law is also involved.

Even Franz Gasperlmaier had never seen anything like this before. He's seen a lot of things, after all, Gasperlmaier has been a police officer in Altaussee for more than twenty years. But a stabbed man on a Monday morning in the festival tent at the Altaussee Kirtag is too much even for a seasoned man like him. And so he makes a wrong decision, not his last one that day, and the dead man sitting in his own blood in the festival tent won't be the only victim.