Fanny Altenburger

SOKO Donau is an Austrian television series.

Howard Silk is a lowly cog in a bureaucratic UN agency who is turning the last corner of a life filled with regret when he discovers the agency he works for is guarding a secret: a crossing to a parallel dimension.

Angelika Schnell is the head of homicide and living proof that chaos is just another form of order. Nevertheless, she is a brilliant investigator - even if her methods are sometimes quite unconventional: In addition to hard facts, she also allows her distinctive inner voice to apply, which often leads to incomprehensible but very important conclusions...

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Fresh out of a psychiatric hospital, Pia moves back in with her parents to get her life together. Torn between a new job, lovesickness, psychotropic drugs and social stigmatization, she emerges into a world where everything seems out of control.

When 12-year-old Karli moves to an old hotel in the Alps, he discovers an elevator that harbors a secret – it’s a magical time portal that transports him back to 1938! There, he befriends Hannah, a spirited Jewish girl, and Georg, a shoeshine boy. But when Georg is falsely accused of stealing, the children must solve a mystery case hidden within the hotel’s walls, all while the shadow of Nazi Germany begins to grow around them.

A group of young, ambitious candidates for a special police unit in Baden-Württemberg are driven to perform at their best. One of them is 23-year-old Rebecca Henselmann, who will soon be deployed in undercover operations. She works hard and is ambitious, just like her colleague Christoph Laurin, whom Rebecca is getting to know. The young policewoman is highly motivated in her operations against drug and arms trafficking. In the process, she encounters abuses of power and encounters right-wing extremist attitudes in the police force too.

In the spring of 1902, Viennese working-class daughter Marie König runs away from her beating father and is lured into a high-class brothel by an agent. Instead of the promised self-determined life "with horse-drawn carriage rides and silk dresses", she experiences closed doors, violence and exploitation. Only after years of agony does Marie confide in the journalist Emil Bader, who makes the conditions in the brothel public and takes the owner, Regine Riehl, to court.

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KILLING STELLA is an ice-cold examination of a failed marriage and the self-reproach of a wife and mother. It is a prequel to THE WALL in both literary and cinematic terms.

Father and mother are thrilled: So now their teenager son has a girlfriend. And what a fabulous young woman she is! In contrast to his older sister Milli, 17-year-old Franz was previously an introverted, quiet, shy loner. His parents are all the more impressed when he brings home the pretty, self-confident Zoe one night. Zoe quickly finds her way into the heart of Franz’s family. Or is this young woman just telling people what they want to hear because she sees their hidden desires? After an ecstatic night in the clubs of the city of Munich with a little too much drugs, Zoe has disappeared and Franz's heart is broken. He absolutely has to see her again and goes looking for his first great love.

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An oil complex burns. A young man is caught and caged. A young woman flees, injured—into the forests, where the dream of another future shelters. A state psychologist is assigned to assess—yet trusted truths falter: What does a just life look like in a wounded world?