Anita Vulesica

Tatort is a long-running German/Austrian/Swiss, crime television series set in various parts of these countries. The show is broadcast on the channels of ARD in Germany, ORF in Austria and SF1 in Switzerland.

Polizeiruf 110 is a long-running German language detective television series. The first episode was broadcast 27 June 1971 in the German Democratic Republic, and after the dissolution of Fernsehen der DDR the series was picked up by ARD. It was originally created as a counterpart to the West German series Tatort, and quickly became a public favorite.

The SOKO Köln investigates the cathedral city with humor and often with hard work. Their cases take them into a variety of environments, from the Cologne clique to the terraced housing estates on the outskirts of the city.

SOKO Donau is an Austrian television series.

The unlikely police pair Verena Berthold and Otto Garber are part of a special task force investigating organized crime in Berlin. He comes from the east, she from the west of Berlin. He's a redneck, she's from a better background. This causes conflict. Over time, things start to sizzle between the two. Their team includes the agile German-Turkish Yücsel and the sluggish Georg, who, like Verena and Otto, are constantly bickering. The department manager is Lothar Reddemann. Sputnik is a former colleague of Otto's from the People's Police and is constantly coming up with new business ideas for stores and pubs where the team meets.

No description available.

Der letzte Bulle is a German television series that was first aired in 2010. The series is about a cop from the 1980s put into a modern police department in Essen.

Heiko Schotte (Schotty) works for a cleaning company, cleaning all kind of crime scenes. There he sometimes meets weird people and tries to solve difficult situations.

When a small-town con artist joins the local mafia with his manipulative brother, his obsession with balancing his karma gets hilariously brutal.

Like every morning, Linda sits at the breakfast table with her children. But there's a catch: Dad hasn't been sitting at the table with his family for a long time. Instead, Fritz is sleeping in the camper van in the garden. While Linda hopes that the two of them will soon find their way back to each other, all signs point to separation for Fritz.

Maren Hilbert is the new teacher at the private elite school Sophienbund. She soon realizes that the school, which looks so perfect on the outside, is in a pretty bad state on the inside. When a killing spree is announced, Maren knows she has to act. But neither the principal nor her colleagues take the threatening emails or Maren seriously, only police officer Niklas Götz (39), the father of one of her pupils, supports her in her research. Maren is certain: the potential killer is a boy from her class and he is serious. A race against time begins.

Two sisters who couldn't be more different are unaware of their father's double life with two families and the existence of the other until his sudden death. While stuffy Sandra has no need for such a relationship, chaotic Sandy never leaves her new-found sister's side.

Urgent call from the clinic: Not for the first time, Dr. Felix Hoffmann the comfortable TV evening for use in the emergency room. He spontaneously takes over the night shift for a colleague. The ward doctor has no idea what consequences the next few hours will have for him and his girlfriend Celine. When a patient dies in the emergency room, Dr. Hoffmann does not believe in a natural death. The Ukrainian Misha Chenkov was part of a cleaning crew at the hospital and was therefore no stranger to him. In addition, he was recently released from the clinic in good health - but his patient file has disappeared. Dr. Hoffman tells his girlfriend Celine about the case. She immediately has a suspicion and wants to investigate the matter. So the two stumble into a criminal case and become more and more involved in the mafia-like machinations of the clinic management

Anne lives in a small village in Brandenburg, ready to snap at anyone who crosses her. Her husband has long since passed away, she’s fallen out with the village, and her daughter drove her away years ago. She’s built walls of protection around her heart that are meters high. If no one is there, no one can hurt her—that’s the motto Anne has adopted. Then eight-year-old Tilda shows up at the door, in need of a new home.

German adaptation of the Ibsen play, filmed live at the Deutsches Theater (Berlin).

A short drama directed by Lennart Ruff.