Marko Milovanović

A tense psychological drama based on police reports depicts the work and lives of members of the negotiating group of the Ministry of Interior Affairs of Serbia, whose work takes place on the border between life and death

Five uniquely moving films about motherhood—bubbling up in the grocery store, the cemetery, or even a car ride—come together in this omnibus film set in Sarajevo.

A portrait of a family and of Jovan (John), its youngest member and black sheep. The entire story takes place in just one day, in one apartment, during the celebration of the beheading of St. John the Baptist. Jovan’s parents are hiding the fact that they are getting divorced from their son and their guests, and Jovan is hiding from them that he is using drugs while hoping that aliens will save him from the hopeless and meaningless existence on Earth.

Twenty years after Milena and Stevan fled from war-torn Croatia to Serbia, a journalist investigating refugee stories comes to speak with them.

In a village in Thailand, Pomm works in a care center for Europeans with Alzheimer's. While she is separated from her children, she helps Elisabeth during the final stages of her life, as Maya, a new patient, is on her way from Switzerland.

Schoolkids living on the top of the paradise island wait for the rain to stop. A former advertising executive is closing a land deal for her new villa. An entrepreneur battles nature while building a resort in the jungle. A veterinarian works cleaning snakes from the gardens of the foreigners. An influencer, disillusioned with love, recovers from losing everything overnight. A father and son prepare to leave for good, not knowing where. A dancer adopts a new identity, distancing herself from everything she’s ever known. Divers venture into uncharted waters, risking their lives for the challenge of conquest. The tensions between life’s possibilities revolve around the question of what life one should be living, with every decision leading to a different version of oneself. And while the earthly paradise might be nothing more than an ideal of imagination, humanity’s relentless pursuit for happiness persists.

Communist ideals have long lost their value in Yiwu, a city with 600 Christmas factories, in which Christmas as we know it is produced for the entire world. With rising wages, the workers in Christmas factories can now afford newest iPhones, but they still live in crowded dormitories. All migrants in their own country, nostalgic for some place far away, some miss their families left in hometowns, other miss their friends and lovers from the factories when they go home for holidays. Young generation is already tired of long factory hours, chemical fumes and glitter particles, and they do not care for their parents' wishes to get educated. Stuck in between Chinese tradition and the newly discovered Chinese dream, they want their own businesses, to be rich, to be independent, to be in love.

After begging her to come back, Azra gets her daughter Lejla back at the airport. In the car, she tells her a surprising news and takes her to an unknown place where mother and daughter will revisit their roles.

Abdul & Hamza, two Somali immigrants, are hiding in an abandoned house near Serbo-Romanian border.

A young couple is living at his parents' apartment. Frustrated at not being able to provide for themselves, they fight. She decides something has to change.

The film follows the refugee crisis in 2015 and 2016 from the perspective of a young Lebanese woman, Boushra Jaber. She came to Serbia in 2015 to work on her PhD. Driven by a deep desire to help she started working as an Arabic translator in a refugee camp in Presevo, on the Serbian-Macedonian border. During her three months in the field, Boushra faced personal and professional challenges that put her beliefs to the test.

A three-part musical short film by the Serbian artist Konstrakta.

Temptation of Influence is a filmic collage and an essay exploring how architectural ideas are passed down, reinterpreted and – inevitably – misread across generations. Centred on Irish architect Shane de Blacam, it begins in his Dublin study, where Palladio’s plates frame Louis Kahn’s sketches. From Inishmaan to Rome, from Veneto to New Haven, the film follows a path of conversations, buildings and landscapes – tracing the uncertain mechanics of architectural inheritance. Contributors include Kenneth Frampton, Níall McLaughlin, Sheila O’Donnell and others.