Leonel Pazos Scioli

Hoping to put to rest years of unease concerning a past case, retired criminal investigator Benjamín begins writing a novel based on the unsolved mystery of a newlywed’s rape and murder. With the help of a former colleague, judge Irene, he attempts to make sense of the past.

The series tells of cases based on real events, which show how a woman is able to be at peace and end her suffering in the most lethal way, killing. In each episode, the protagonist tries to find a way to get rid of her problems, motivated by love, revenge, pain, desperation, resentment, contempt, hatred, beatings, addiction or frustration.

After the fall of the military dictatorship in 1983, successive democratic governments launched a series of reforms purporting to turn Argentina into the world's most liberal and prosperous economy. Less than twenty years later, the Argentinians have lost literally everything: major national companies have been sold well below value to foreign corporations; the proceeds of privatizations have been diverted into the pockets of corrupt officials; revised labour laws have taken away all rights from employees; in a country that is traditionally an important exporter of foodstuffs, malnutrition is widespread; millions of people are unemployed and sinking into poverty; and their savings have disappeared in a final banking collapse. The film highlights numerous political, financial, social and judicial aspects that mark out Argentina's road to ruin.

The Falklands/Malvinas War has proved a powerful motif in contemporary Argentine film-making and Ramiro Longo's new documentary offers a unique take on the conflict and its pervasive legacy. While Argentina suffered 649 casualties during the War, subsequently over 350 ex-servicemen have committed suicide while attempting to come to terms with civilian life in the aftermath of the 1982 defeat. Longo's film is structured around an extended interview with War veteran Sergio Delgado who provides a moving testimony on the conflict and the ways in which it has subsequently haunted his life and aspirations. As much an insider's view of the conflict as a tale of the legacy of trauma, Not Really Ours offers a reflection on memory, fear and the shaping of a nation's psyche. Longo's deft editing juxtaposes telling footage alongside Delgado's story. The result is both a moving tapestry of war and its scars and a telling reflection on the ways in which official history is constructed.

Misfortunes follow Dr. Hermes Vanth. And for him, that unfortunately has a face: a mysterious old man who is present in every one of the fatalities that surround him.

It’s saturday night and Pilar just wants to stay alone at home without being bother. But when the doorbell rings, her plans will soon change.

Darío wakes up one day in his bed next to Renata, whom he does not know anything about. He begins to suspect that it is a joke of his friends or a scam, but Renata has an explanation: Darío is an earlier existence of herself.

A story set in Uruguay in 1993. It revolves around an investigation by a law court lawyer, Julia. She's looking into the possibility that a chemist named Eugenio Barrios is being secretly sheltered in Uruguay by right-wing political powers.

Maximiliano is a psychiatrist who suffers from strange visions of his past. He grew up in an orphanage and then left for the big city. When his adoptive father dies, he goes back to his hometown where he will be reunited with his brothers and discover a dark family secret.

Musical documentary about the love story between tango lyricist José María Contursi and a village girl named Gricel. After a passionate and forbidden romance, Contursi and Gricel separate and propose to forget each other, but they discover that forgetting is impossible.

No description available.

In a remote valley in northern Argentina, the local herb of love, Muña Muña, is in bloom. Olga, a 60-year-old nurse, is preparing to say goodbye to her only son, who is about to leave the country, when she meets Stefano, a young French tourist. Their unexpected connection stirs a desire she thought was long lost.

A series of recordings that Antoine de Saint-Exupéry sent to filmmaker Jean Renoir are the starting point for reconstructing the love affair that the French writer and aviator established with the "Argentine princesses" Edda and Suzzane Fuchs, protagonists of the chapter "Oasis" in his book Tierra de Hombre and inspiration for his masterpiece The Little Prince.

April 5, 2000, Concordia, Entre Ríos. Two major media outlets broadcast live from the most impoverished city in the country, where a guerrilla group is preparing to "go to war" against the established order.

Autumn, 1984. Valeria is ten years old; she and her brother live the constant distress of their father's violence and their mother's submission and complicity. Valeria is forced to hide what's going on. On her birthday, her best friend reveals a secret: at the sound of music boxes, the saddest truths can be told, as they hurt less. Valeria has a plan now. Will it work?

No description available.

Emigrated to San Pablo, Martín Mirol decides to put together a typical tango orchestra in a city where the environment lives another culture. After ten years playing with De Puro Guapos, the typical orchestra that he forms in Brazil, he is facing a journey to the roots of the genre, a search for what popular music means that became a heritage of humanity.