Judith Lou Lévy

The dawn of the 20th century: L’Apollonide, a luxurious and traditional brothel in Paris, is living its last days. In this closed world, where some men fall in love and others become viciously harmful, the women share their secrets, their fears, their joys and their pains.

In the days following October 7, Y., a jazz musician, and his wife Yasmin, a dancer, resolve to say yes to everything. Y. and Yasmin sell their bodies and souls to the highest bidder, surrendering themselves and their art to Israel’s social, political and military elite. Soon, Y. is entrusted with a mission of the utmost importance: to compose the music for a rousing, ruthless new national anthem.

Arranged to marry a rich man, young Ada is crushed when her true love goes missing at sea during a migration attempt — until a miracle reunites them.

Thousands of royal artifacts of Dahomey, a West African kingdom, were taken by French colonists in the 19th century for collection and display in Paris. Centuries later, a fraction returned to their home in modern-day Benin. This dramatized documentary follows the journey of 26 of the treasures as told by cultural art historians, embattled university students, and one of the repatriated statues himself.

At just 18, Brahim, a promising young footballer, is represented by his agent and cousin Mehdi. He is about to fulfil his dream of signing his first professional contract with Lyon. But the arrival of a powerful foreign agent changes all that. In this uncharted world, even loyalty comes at a price.

Haiti, 1962: A man is brought back from the dead only to be sent to the living hell of the sugarcane fields. In Paris, 55 years later, at the prestigious Légion d’honneur boarding school, a Haitian girl confesses an old family secret to a group of new friends - never imagining that this strange tale will convince a heartbroken classmate to do the unthinkable.

The Marquis d’Urfé finds refuge in the home of a strange family after becoming lost in a hostile forest while working as an emissary for the King of France.

An Israeli filmmaker throws himself in the midst of two battles doomed to fail: one against the death of freedom in his country, the other against the death of his mother.

Four seasons to tell the fluctuating moods and mores of a small community that shares its daily chores and life experiences in the military base of Fort Buchanan. In this imagined (perhaps dreamed?) location, peculiar habits respond to the needs of a peculiar environment. Roger, a fragile gay man, and his female companions, trying to cope with the absence of their husbands, go through their own brand of challenges for survival, with their own form of outdoor camaraderie, thought-occupying chat and DIY activities. Roger has a tough daughter who runs him ragged, but he has buddies willing to help: Justine, Denise, Pamela and Claudia-Joy.

During his acceptance speech for a lifetime achievement award, Nicolas Chauvin – a farmer-soldier, a veteran of the Revolutionary Army and the Napoleonic Wars, “father” of the chauvinism that bears his name – embarks on a monologue and recounts his life story. At the bend of a road, a spectral encounter shocks his (non-)existence.

Four young queers in New York City struggle to maintain their proto-utopian community against the outside world as their lives curiously merge with the 1980s German novel "So schön" by Ronald M. Schernikau.

When Roger's husband deploys to Djibouti, he's left alone at Fort Buchanan with his temperamental daughter Roxy. Her violent outbursts drive him to seek comfort in friends and self-confidence through boxing lessons with a personal trainer.

Lucas lives in a farm in southwest France. For his 17th birthday, his uncle Nico offers him a special surprise : a trip to Lady Dallas.

An opera ballet that doesn't exist. A ghost-like piece, played in Opera Bastille and danced at Opera Garnier. An almost mystical link between both scenes. A musician is testing sounds in Bastille's pit. The choir are taking their place in the rehearsal studio. Both sides are fine tuning the work in progress of an opera ballet: Sarah Winchester, her grief, her madness, her home and her ghosts.

There are moments in life when everything seams to collapse. Axel is 30, has just finished film school, is unemployed and in quick succession, separated from his girlfriend while his grandmother died. His mother, somewhat concerned by her son’s situation, decides to entrust him with a mission: to take the funeral urn of his grandmother to Sweden, her native country. A little disoriented, Axel arrives in the country of his ancestors with just his camera and Anna’s ashes for company. He begins what will become this film, an object that will be everything but a chronicle of the ominous trip. As, on the way, an encounter will completely change the young man’s life: Clara.

February in the French Alps. Vanina likes to hear the chalet’s parquet floor squeaking beneath her bare feet. Vanina likes to coat herself in sunscreen cream in front of the fireplace. Vanina likes the tawny fur of her rabbit. But above all, what Vanina likes is her American babysitter, Mary Jane…