Isidro Fernán Valdez

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The head of a criminal gang has all the power among his men until one decides to testify against him.

A gambling priest opposes a group of scammers.

A prostitute and a sewer worker try to rebuild their lives, but his ex-wife complicates the relationship.

An amnesiac carnival psychic is haunted by the thought that a man is coming to kill her.

A sexually-repressed girl of the Buenos Aires slums slowly goes mad after marrying.

A boy comes from inside the country to succeed as a pianist, protected by a lady of high society. The woman, somewhat older than him, young man falls in love madly in unrequited love.

Upon learning of the murder of a friend, a police inspector sets out to take justice on his own. This attitude, contrary to his usual convictions, will gradually destroy him.

Luis Sandrini plays a college professor who, because of his freethinking attitudes and concerns for moral questions over matters of business, has more in common with his students than his colleagues.

"Pobres habrá siempre" is a rarity within Argentine cinema for many reasons. Its theme is the rebellion of a group of meatpacking workers around 1935 and the several reasons that justified it, but the film was shot at a time when workers and union struggles were very strange issues for local production.

Inmates in a prison plan a massive break. When they put their plan into action, however, they find that they may have underestimated the guards and prison officials, and the situation quickly turns into a bloody gun battle. This action feature from director Enrique Carreras was the official entry for Argentina at the 1964 Berlin Film Festival.

A journalist begins to receive envelopes containing erotic pictures, which he connects to a relationship he once had with an actress.

Three stories about love and animals.

The story of a middle-class married couple who really loves each other, but who are unable to transmit their feelings, while the routine corrodes their relationship.

A woman close to turning 40 is in a strange relationship with a teenager in the absence of her husband.

A medical student convicted of debauchery is reintegrated into society. The film was produced in 1969 but released marginally in 1975 on the same day as 3 other more transcendent Argentine films, so it was forgotten almost instantly.

A young couple has established an unusual family role: she works and he does the housework. Until one day, the couple's best friend intrudes on the tranquility of the home.

Tells the story, in the key of comedy of customs, of a typical bourgeois home in Buenos Aires for three decades.

No description available.

How crime is manifested in Buenos Aires city.