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Jesús Pampín

Acting

Biography

Jesús Pampín was an actor in Argentina, who was born in Montevideo, Uruguay on August 13, 1905 and died in Buenos Aires, Argentina in May 1988. Of small figure, gray hair and distinguished aspect, represented in general to characters of great bonhomía and, in the cinema, had several papers of doctor and police. He began acting in philodrama in his country and in the decades of 1940, 1950 and 1960 he went through several theater companies. In cinema it made debut in closed Door (1939) and later it intervened in many films like actor of distribution. He also acted on television; with José Cibrián and Ana María Campoy in 1953 he worked in the programs ¡Cómo te quiero Ana !, and in the titled Universal Theater, headed by the same couple, in plays. In 1956 he was running the children's program At recess, boys! 3 He died in Buenos Aires, Argentina in May 1988. From Wikipedia, the free encyclopedia

Known For

Nacha Regules
8.0

Set during the centenary celebrations, it narrates the frustrated loves between a man from high society and a woman with a hectic romantic life.

Nacha Regules

1950
Juan Globo
5.8

A humble boy can not be a sailor as he wishes, for lack of documents, and works as a driver for an old woman.

Juan Globo

1949
Descent Into Hell
8.0

For ambition a woman sacrifices her true love and marries a man of fortune.

Descent Into Hell

1954
La simuladora
9.0

To avoid imprisonment, a woman pretends to be crazy after killing the man who blackmailed her sister.

La simuladora

1955
Recommended capture
7.0

Dramatizations of four cases "drawn from Buenos Aires police files".

Recommended capture

1950
El gordo catástrofe
6.9

Catrasca (Jorge Porcel) is a man who works in a restaurant and in his spare time helps in a children's home. His problem is that he carries a family tradition that makes him cause catastrophes in his path, one of which takes his boss (Adolfo García Grau) to the hospital. Upon leaving the hospital, Catrasca is run over by Graciela (Graciela Alfano), the daughter of Professor Galíndez (Osvaldo Terranova). This is how he meets this professor, who has a formula that says he will be the salvation of humanity, so he is the object of persecutions by villains such as Dr. Linda Winters (Moria Casán).

El gordo catástrofe

1977
The Marihuana Story
6.8

Pablo Urioste is a respected surgeon, but he is forced to experience a nightmarish world after his wife, a marijuana addict, dies at a nightclub. He tells his story to the police, and tells stories of how he is hooked, beaten, blackmailed, and includes some bad-trip flashbacks. Ms. Quiroga tries to help him, but there is little hope for Dr. Urioste after undergoing THE MARIHUANA STORY.

The Marihuana Story

1950
The Beast Must Die
7.1

A crime writer searching for the truth about a personal tragedy becomes involved in a murder investigation.

The Beast Must Die

1952
Suegra último modelo
7.0

A woman tries to annul her daughter's marriage by making her boyfriend believe that he is the real father of her daughter.

Suegra último modelo

1953
Masterworks of Terror
5.1

Three extraordinary tales written by Edgar Allan Poe, the Master of the Grotesque: a man who is dead but is not; a cask of wine and a meditated revenge; and a heart that refuses to stop beating.

Masterworks of Terror

1960
Las locas del conventillo
7.3

The neighborhood of La Boca, in Buenos Aires, is divided in two sectors: one is where decent people live under the tutelage of Magdalena, in the other, Manuel,ir responsible of a nightclub. Among decent people live Manolo, the milkman, awaiting the arrival of a Spanish woman to marry her. At the same time, the villain of Manuel also hopes for a Spanish nightclub. Women Arrivals weapon confusion.

Las locas del conventillo

1966
The boat, the river and the people
6.0

An old boat is a silent witness of how the lives of the characters on board are fleetingly intertwined on a predetermined day.

The boat, the river and the people

1960
La orquídea
5.4

A woman of great beauty is used by a man who only desires her body and falls on the path of self-destruction.

La orquídea

1951
La bestia humana
6.5

From Emile Zola's novel "La Bete Humaine", tells the story of a jealous husband, a provocative woman and a man with an uncontrollable desire to kill.

La bestia humana

1957
La vendedora de fantasías
8.0

A store clerk, a detective, the robbery of a necklace and a murder.

La vendedora de fantasías

1950
The Strange Case of the Man and the Beast
6.5

Dr. Henry Jekyll experiments with scientific means of revealing the hidden, dark side of man and releases a murderer from within himself.

The Strange Case of the Man and the Beast

1951
Los torturados
7.0

A parapolice force within Peronism is dedicated to reducing and extorting all kinds of opponents, among whom a few rise up to denounce what is happening. Although the film has propaganda purposes that deliberately ignore part of reality, it is based on documented cases, such as those of the student Ernesto Mario Bravo or the trade union leader Cipriano Reyes.

Los torturados

1956
No image
9.0

Tabloid journalists muddy the waters during the investigation of the murder of an Argentine senator.

Edición extra

1949
Bajo el signo de la patria
8.0

Aspects of the life of General Manuel Belgrano since he took command of the Army of the North until, together with his men, he defeated the enemy in the battle of Salta in February 1813.

Bajo el signo de la patria

1971
La parda Flora
10.0

Early twentieth century in Greater Buenos Aires, where the passion of a woman of dubious past for the son of a rich man who has influence in the police develops.

La parda Flora

1952