Acting
This documentary offers a portrait of the photographer Sergio Larrain based on the mark that he left during the course of his existence: photographs, testimonies, philosophical texts, and in particular, thousands of letters that are the gateway to his inner world and the mysteries of his life and work.
Documentary series that takes a nostalgic journey through decades of Chilean theater and its history.
A sincere portrait, and in first person, of the multifaceted Andalusian artist José Pérez Ocaña.
Barcelona between 1917 and 1923. Is the era of gangsterism, during which gunmen clash between anarchists and thugs paid by The Patronal showed a shocking number of deaths. The confrontation between anarchists and workers of the factory owners Savolta arms worsens when Savolta family decides to end the rebellion hiring murderers hired and plotting to hide their illegal transactions with Germany. Adapted from the novel by Eduardo Mendoza.
A right-wing family decides to exile themselves to Europe after Salvador Allende's victory during the presidential elections of 1970; only to find themselves losing their comfortable socio-economic status and be subjected to a dramatic proletarianization that will lead them to all kinds of struggles.
A female television journalist has a strange affair with a terrorist.
Two guerrillas (Miguel Littin and Jorge Guerra) wander lost in the desert until one of them dies. A jeep appears in the distance to rescue the survivor, but unable to read the signs of comradeship pointed out to him by the drivers of the vehicle, he shoots them.
Chilean exiles in Paris discuss the problems facing them. They kidnap and attempt to re-educate a touring singer from their fatherland.
Joan Manuel Serrat fled to Mexico when Franco ordered his persecution. In Argentina and Chile, his commitment against military regimes is still remembered. Joaquín Sabina arrived later. His poetry bewitched the audience. In Argentina, he is a tango singer as much as a rocker; in Mexico, the mariachis sing their songs. The former is a symbol, a venerated figure; the latter is a “cuate,” as they say in Mexico, a buddy with whom you can always count.
