Directing
Agniezska and her friends discover love for the first time.
Scenes of people in motion. Some are working, others spend their leisure time. The sound of airplanes and subways reminds us of the city behind the piece of created nature.
A man in a squash hall, two nurses conversing through the tunnels, a couple of guys playing guitar, and in the nail salon, a Ukrainian woman talks about the situation in her homeland. In a visually impactful film, these scenes are juxtaposed, raising questions about context.
A woman's perspective of the Swedish Torne valley culture from childhood during the 90's to early noughties, adulthood and into 2050, told through the creation of a traditional Torne valley bread that takes her through space and time.
The year was 1916, we follow Sire’s everyday life, until her final moments. We are a part of her little world and get to see how big that little world can be. How rich it’s in emotions, sounds and memories. Sire reminds us of life, not death. She was my Máttaráhkku, great-grandmother, and my grandfather was 10.
