David Hopkins
Writing
Known For

The everyday lives of working-class residents of Albert Square, a traditional Victorian square of terrace houses surrounding a park in the East End of London's Walford borough.
EastEnders

Dr Finlay's Casebook is a BBC television series that was broadcast from 1962 until 1971. Based on A. J. Cronin's novella Country Doctor, the storylines centred on a general medical practice in the fictional Scottish town of Tannochbrae during the late 1920s.
Dr. Finlay's Casebook

The Adventures of Black Beauty is a British family adventure series broadcast on ITV1. Produced by London Weekend Television, the 52-episode series was inspired by Anna Sewell's novel but featured new characters, including Dr James Gordon and his children, who, in 19th century rural England, take in the horse Black Beauty.
The Adventures of Black Beauty

When Wayne has to go and live with his grandfather Albert, they both initially resent the arrangement. Hostilities soften when they discover some common interests.
Wayne and Albert

In 1960, at the age of 56, Dr. Barbara Moore became a national hero by walking from John O'Groats to Land's End. One of the last great English eccentrics, even though she was Russian.
'That Crazy Woman'
Tom Foreman kills a policeman after stealing jewellery worth a fortune. He is caught and incarcerated. Prison psychiatrist Ollie Milton and Tom's wife, Val, enlist the help of ex-con "Cat" Devlin in their plot to locate the hidden jewels.
The Circe Complex

A factory's workforce is dwindling as divisions between the workers and management widen.
The Factory

A play about bullying, asking whether anything can actually be done about it. A gang of boys engage David in a game of 'coins against the wall' every day at school, a game for which David needs a daily supply of money, and which he inevitably loses. When he doesn't have money he truants from school, and eventually steals money from home.
Coins Against The Wall

A celebration of "Enterprise Britain"; the progress of two nightshift cleaners in a towering exhibition centre. Primed for a royal visitor the following day, the delicate automated infrastructure of the building is compromised by two idiots looking for somewhere to plug in their hoover. Nightmareish video and mechanical apparitions steal their identity as the celebratory monolith descends into terminal chaos.