Directing
Two married people fall in love and everything else breaks apart. A infidelities story told in a female voice.
Mariana is unhappy in her family life - her husband abuses her and their son is irresponsible. One day, Mariana finds the courage to run away from home and start a new life. Despite having achieved her goal, she is haunted because she left two small grandchildren behind.
The life of a family in the first part, and the mischievous children's pastimes in the second part, jumping onto a moving tram, riding bumper cars.
The story of Rosa, who is forced to part with her children as soon as they’re born. Desperate, she runs away from home and a seer giver her shelter, teaching her the art of predicting the future with cards. Despite having a good life, the heartbreak from being torn apart from her own children continues to torment her.
Film by Maria José Silva
A good and hardworking man is married to a merciless woman who makes his life a living hell. Despite everything, a good presence is felt: Margarida, who works in the house and practically raised the couple's children, always cares for her employer’s well-being.
The real story of Maria José's first years of marriage, where she left Porto to live near her husband while he was in the army.
A love triangle between Carlinhos, Fernanda and Rosa. Carlos is a medical student in Porto and he is engaged to Fernanda. They’re both from wealthy families and their engagement has everyone's approval but, when he meets Rosa Maria, modest and kind, Carlos begins to doubt his path. Torn between two women and two lives, which will Carlinhos choose?
Lucília works in the house of Jorge, son of a wealthy family from the countryside, who falls in love with her and ends up getting her pregnant before abandoning her. Over the years, Jorge, married to a woman he doesn't like, finds his lost daughter.
“Os Velhos não são Trapos” portrays the daily life of a nursing home with the mission to treat people with respect and affection. Maria José Silva plays the zealous director of Lar do Futuro and she takes care of its inhabitants and employees kindheartedly and with a great sense of morals, because everyone deserves to be loved and respected.
A comedic theatrical revue by Maria José Silva.
João's mother mysteriously disappeared when he was a baby. Having grown up without the guidance of a mother, João ends up living in Porto, where he meets a girl with whom he falls in love. Despite this, bad influences make João enter a cycle of self-destruction.
