Directing
Everything starts to going well for Moldir: she enjoys the stardom, Bayan offers a long-term contract and finally, Meirambek proposes her but Bayan's old rival, Maira Itayakovna has other plans...
Rauan works at a parking lot in a prestigious residential complex. Aidar drives past it every day in his father, an oil worker, in an expensive car. Both strive to build their lives on their own. They live in the same city, cross paths in the same courtyard, but there’s a chasm between them. There’s a barrier between them, created by wealth and poverty. One day, Aidar and Rauan will cross paths, and their worlds will collide.
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Three young friends of Kuma, Shegebek and Nurzhan, who grew up in the same village, met in Almaty after a long separation. For the upcoming 25th anniversary, the parents bought a one-room apartment in Shymkent as a gift to the Godmother and demanded that the son get married. Not wanting to quarrel with his father and upset his mother, he asks his friends to help him steal the bride. After drinking a lot in one of the nightclubs, the trio develops a strategic plan and steals the first urban beauty they come across.
A new project of Kazakhstani cinematographers under the general direction of Yegor Konchalovsky, which is a feature film. It consists of 10 unrelated film novellas directed by different directors. In its form, the project repeats the French "Paris, I love you", the American "New York, I love you", the Russian "Moscow, I love you!".