Romain Kronenberg

1 September 2001. Elliot, an American C.I.A. agent holding top secret information on the immediate future of the world, disappears. His sole aim was to meet his daughter Orlando, whom he abandoned ten years before. Irène, a French agent who used to work with him, and David, his adoptive son, will help him and lead the girl to her father. Chased by William Pound, a strangely poetic psycho, they will defy the dangers of international espionage from Paris to Venice and finally get to Elliot on 11 September 2001.

Marcher puis disparaître follows the path of a man who, having journeyed a great distance, goes through the daily life of a small Turkish town, observing the customs and habits at dusk: a coffee shop, the old mosque, a bakery, games at café tables, and the streets coming alive

Pablo, Zoe, Thomas and Felix, in their twenties, are attacked at the foot of their tower. Three of them survive. They try as they can to mourn the fourth and start living again.

Été (French word denoting both Summer and the past participle of the verb to be, i.e. ‘been’) is a movie of shadows and light where three people experiment with different kinds of love and desire, and as a result have to make choices and take their leave of things.