Shorena Tevzadze

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In Georgia, in the tiny Didube bus station, characters flow into Niko’s veterinarian pharmacy. They are not really customers, some of them come in by mistake. The faded poster, with its cows that have turned blue over time, is the only trace of an activity connected to animals. The store, its counter overflowing with packaging and other useless things, could have been filmed in another era. But time stands still here, and it really is the Georgia of today that we find in this snapshot of the nonetheless incessant activity at the station. Nodar’s refrain, accompanied by his guitar, paces and pushes the film forward, in fits and start, according to the arrivals and departures of the buses headed for other destinations that are perhaps more rooted in the modern word.

Documentary about a martial arts camp on the shores of Lake Bazaleti.

The film tells the story of four different protagonists whose experiences ultimately merge into one narrative. Georgians who emigrated to France fight tirelessly for survival. One of the world’s most touristic cities becomes both a refuge and a last hope for many emigrants. The film uncovers corners of Paris that seem hidden within a city better known for its tourist attractions. Parallel Movements is a Georgia that exists beyond its borders. It resonates with the story of every Georgian who has already left, is leaving now, or will leave the country in the future.