Adrián Orr

No description available.

The Spanish Deep South, 1980. A series of brutal murders of adolescent girls in a remote and forgotten town bring together two disparate characters – both detectives in the homicide division – to investigate the cases.

A young man navigates the bureaucracy of the Catholic Church when he tries to renounce his faith.

An intimate documentary exploring friendship, resilience, and love among a group of young people in Madrid. Through a cinéma vérité approach, the film captures their struggles, aspirations, and moments of joy amid economic uncertainty. A central thread follows Sara, who falls in love with another woman, navigating the excitement and vulnerability of new love. Her journey of self-discovery unfolds organically, adding depth to the film’s broader themes of identity and connection. With its raw, unscripted storytelling, To Our Friends offers a poignant look at contemporary urban life and the enduring bonds that sustain us.

Time seems to stand still in a village in the Galician coast. Everybody there is paralyzed although we can still hear their voices: they talk about ghosts, about witches, about monsters. Three women arrive in the village to find Rubio, a sailor who has recently disappeared in the sea.

Two strangers flee from their past and settle in an urbanization on the Cádiz coast. There, hundreds of kilometers from Madrid, they try to rebuild their lives, even though the memories are still very strong.

Ana, her mother and grandmother live in a small town in southeastern Spain where all three are regarded with suspicion.

Very realistic, almost a morning ritual long, we observe a father getting his children up and ready for school.

Jobless and with no prospects, Niñato (Brat) lives with his parents and does hip-hop music. He lives the life of the outskirts, it's the Madrid of the chronic crisis. But he is 34 years old and has three children to bring up. Time goes by, the kids are growing up and Niñato carries on, making music and looking after the children, without worrying too much about his future. Oro, the smallest one, not too motivated at school, will demand more attention and drive Niñato to face his own conflicts.

No description available.