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Hugo Mac Dougall

Writing

Known For

Los Tres Mosqueteros
7.0

An attempt to bring the famous novel by Dumas to the cinema, where the promenades of Montevideo such as Parque Rivera and the Castillo del Parque RodĂł are transformed into French settings.

Los Tres Mosqueteros

1946
Allá donde el viento brama
N/A

The action takes place in Comodo Rivadavia, and reenacts a 1907 mission lead by José Fuchs, who was supposed to find water but found oil instead.

Allá donde el viento brama

1963
Three Men of the River
7.0

The film is based on an old Argentine legend about an Aztec girl who is raped and murdered by vandals and dumped in a river. A flower blossoms at the place in which she was killed and misfortune falls upon the culprits.

Three Men of the River

1943
Juan Moreira
7.0

Adaptation of the homonymous novel by Eduardo Gutiérrez, inspired by a real police chronicle, starring a gaucho killed by the police in 1874. Juan Moreira's life was full of injustices and has been considered representative of those suffered by gauchos.

Juan Moreira

1948
No image
9.0

The story of different episodes that happen in each of the sections of a newspaper.

Ceniza al viento

1942
El fin de la noche
7.1

A singer is trapped in France by the unforeseen outbreak of World War II and a man who serves the German occupiers demands, in exchange for safe conduct for herself and her daughter, to act as a spy and informer for members of the Resistance.

El fin de la noche

1944
No image
7.0

A 1936 film.

Santos Vega

1936
El viaje sin regreso
N/A

At the core of this enormously bleak melodrama, there is a beautiful, passionate woman (Florence Marly, Chenal's wife) who capriciously oscillates between two men (Chiola, De Paula), even though she knows her fate is fatally linked to one of them.

El viaje sin regreso

1946
The Gaucho Priest
9.0

The life of José Gabriel Brochero, the Cordovan priest who dedicated his life to those most in need.

The Gaucho Priest

1941
Native Pony
8.0

A young horse breeder will show his grandfather how they can adapt to the times and prove his theory.

Native Pony

1953
No image
8.0

It narrates the struggle of a rural worker to rescue the daughter of a farmer from the clutches of a wicked foreman.

Nobleza gaucha

1937
Malambo
5.8

Based on a quechua legend, Malambo tells the story of a woman who lost her husband and son because of the greedy patrĂłn of an hacienda. She swore that she would never remove the cloth over her eyes until her dead were avenged by the deaths of the patrĂłn and his daughter. Nature seems to be on her side, since a drought has afflicted the land. Her other son, Malambo, accepts the duty of revenge. Malambo is no normal human: he is the runa-uturungo, or Hombre Tigre, of Quechua lore, and he cannot be wounded by bullets. He leads the obreros to rise in revolt and defeats the patrĂłn. However, instead of killing the patrĂłn's daughter--the blind Urpila --he falls in love with her, thereby breaking his mother's heart.

Malambo

1942
ConfesiĂłn
7.5

Group of tango musicians picks up an aspiring young chanteuse at one of their whistle stop engagements; film focuses on their collective path to stardom, romantic conflicts between the woman and two guys in the band and some peripheral crime-drama stuff.

ConfesiĂłn

1940
Lauracha
7.3

A man loves a woman of strong character but she abandons her

Lauracha

1946
Villa Rica del EspĂ­ritu Santo
8.5

Spanish conquerors from the XVI century arrive in America to establish a population.

Villa Rica del EspĂ­ritu Santo

1945
Huella
10.0

In 1840, a caravan of carts headed from Buenos Aires to CĂłrdoba carrying merchandise, ammunition and prisoners, against the background of the struggles between the Unitarians and the Federalists.

Huella

1940
El tambor de TacuarĂ­
9.0

After the May Revolution occurred, a young man abandoned his royalist uncle and became a drummer for the revolutionary army and his father's guide.

El tambor de TacuarĂ­

1948