Ion Porsilă

A television cameraman and his subject find themselves in the middle of an intertwined professional and personal dilemma.

Based on a comedy play by Romanian playwright Tudor Mușatescu and first performed in 1932, Titanic Waltz satirises political ambition, familial coercion, and the absurdities of electoral politics through the travails of an incorruptible bureaucrat hounded by his relatives to run for office

The action of the movie take place in a factory and presents the conflicts between one engineer and some young workers.

1957 film adaptation of Romanian playwright Ion Luca Caragiale's novella “Două loturi” (Two Lottery Tickets, 1901). The scenario was written by director Jean Georgescu, one of the most skilled Romanian filmmakers of the 1940s and 1950s, while the directing belongs to Aurel Miheleş and Gheorghe Naghi, at that time both recently graduated from the All-Union State Institute of Cinematography in Moscow. This is the second feature film in colour from Romania. Despite the great public success, the film was often criticized by reviewers, mostly for its unhandy directing from the two debutants. Miheleş and Naghi would however continue their collaboration and release another two Caragiale adaptations, of which “Telegrame” (Telegrams, 1959) was nominated for the Palme d'Or (Golden Palm) at the 1960 edition of the Cannes festival.

In 1942, Nea' Vitu is in trouble with his children: a son is fascinated by the world of war profiteers, and the daughter is going around with the speculator "Treispemii" (Dan Nutu). On the evening of her engagement, Vitu is denounced by his son for hiding an illegal printing press in a painter's house. Thirty years later, he returns to the slum and searches for the Vitu family. They no longer live there, the neighbors have changed, and he investigates to find out what happened to them. Nea Vițu, you raise your daughter, Rădița, and son Fănică. His wife Dorina died when Fănică was born. Apparently, family problems are difficult barriers to overcome. He's an honest man. He gets angry at the slick Fănică. Fănică is also chased away by the slum priest, because he wanted to make a new bible... where he'd be Fănică the God .... Rădița goes around with the speculator "Treispemii". In 1942, nea Vițu joins the fight against the Nazis and runs an illegal printing house with a painter...

Based on the story of the same name by Marin Preda. The movie tells about the struggle of poor peasants against the rural rich for the creation of collective farming.