Martín Lapissonde
Production
Known For
Argentina National Football Team is getting ready for the World Cup and opens the door to behind-the-scenes. The qualifiers, the Copa América, the Finalissima and match preparation for Qatar as never seen before.
Argentine National Team, Road to Qatar
It narrates the epic title obtained by the Argentine National Team in the World Cup Qatar 2022 with testimonies of the protagonists, told from the intimacy and in first person.
I Choose to Believe
A scientist solves cases following the legacy of her grandfather, Juan Vucetich, the renowned creator of fingerprint identification method. When her job and name are threatened, she embarks on a journey to discover who is behind it all.
The Method: Identity Principle
Eleven young film-makers got together to collaborate in this atypical project. Atypical not only because of its technical specs, but because of its narrative structure. There are several scenes with only the city in common, and more as a conceptual presence at that than as a precise geography. None of those scenes contains a single "story": Each one of them is part of a larger situation that we cannot see, as though the beginning and end of each "story" had to be filled in by the audience.
About Buenos Aires
José cannot accept the idea of having been retired. He continues traveling the routes as he has done all his life, stopping in the same places, pretending that everything remains the same. At the cabaret, Ruby comes face to face with his reality.
La última parada
Ana, Manuel and Leo, three young people in modern-day Buenos Aires, get caught in a spiral of coincidence and suspicion, misconduct and persecution. None of them is innocent.
The Prisoner
The same character immersed in different eras raises a big question: if we had been born in another time, would we be the same? Our experiences, experiences or relationships, the way we bond emotionally and emotionally, would they have been the same in another context?
Te seguiré
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El lugar de Nora
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Los días felices
An investigation about a transmission parallel to that of man’s arrival to the Moon, captured by a radio ham from Avellaneda, confronts the director of Channel 54 with a series of conspiracy theories and mysterious figures. Doing so also means questioning the nature of the images.