Kathleen Hughes

Barnaby Jones is a television detective series starring Buddy Ebsen and Lee Meriwether as father- and daughter-in-law who run a private detective firm in Los Angeles. The show ran on CBS from January 28, 1973 to April 3, 1980, beginning as a midseason replacement. William Conrad guest starred as Frank Cannon of Cannon on the first episode of Barnaby Jones, "Requiem for a Son" and the two series had a two-part crossover episode in 1975, "The Deadly Conspiracy".

Bill Moyers tells the story of several hardworking Milwaukee families struggling with low-paying jobs after previous employers downsized their operations. Filmed over a period of five years, these families were first featured in Moyers’s 1992 documentary ‘Minimum Wages: The New Economy.’ FRONTLINE chronicles the families’ emotional and financial strains, their search for better jobs and job retraining, and looks at Milwaukee’s efforts to adapt to an ever-shrinking industrial sector.

In 2003, the United States pre-emptively attacked Iraq in a war that would last for eight years claiming an estimated 189,000 lives, costing over $2 trillion and causing untold economic and emotional devastation for the Iraqi people. In this 2007 documentary that originally aired on Bill Moyers Journal, Moyers investigates big media’s role as cheerleader in the clamor for war in the months preceding the March 19, 2003 invasion. How did the mainstream press get it so wrong in the run-up to the Iraq War?

Bill Moyers takes a piercing look at how global economic changes are destroying the lives and livelihoods of hardworking Americans. The documentary follows several individuals and their families in Milwaukee, Wisconsin, as they fight to make ends meet in the “new economy.” In sheer numbers, more jobs were created than lost in America during the last decade, but a look behind those numbers reveals a shortage of jobs that pay enough to support a family. The program intimately portrays the lives of workers and their families as they struggle to make it in today’s job market.

The dramatic story of two blue-collar Milwaukee families over two decades. As they struggle to find their place in the new economy, living from paycheck to paycheck through good times and bad, the Neumanns and Stanleys confront choices for themselves and their families that have far-reaching consequences for the American way of life.

Abigail Disney looks at America's dysfunctional and unequal economy and asks why the American Dream has worked for the wealthy, yet is a nightmare for people born with less. As a way to imagine a more equitable future, Disney uses her family's story to explore how this systemic injustice took hold.

Following the journey of an Evangelical minister trying to find the courage to preach about the growing toll of gun violence in America. Reverend Rob Schenck, anti-abortion activist and fixture on the political far right, breaks with orthodoxy by questioning whether being pro-gun is consistent with being pro-life.

A TV documentary following two American families from 1991 to 2013, chronicling their struggles while trying to maintain their place in the American middle class

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It’s a central premise of the American dream: If you’re willing to work hard, you’ll be able to make a living and build a better life for your children. But what if working hard isn’t enough to get ahead — or even to ensure your family’s basic financial stability? Two American Families: 1991-2024, a special, two-hour documentary filmed over more than 30 years, is a portrait of perseverance from FRONTLINE, Bill Moyers, and filmmakers Tom Casciato and Kathleen Hughes that raises unsettling questions about the changing nature of the American economy and the impact on people struggling to make a living. This is the saga of two families in Milwaukee, Wisconsin — one Black, the Stanleys, and one white, the Neumanns — who have spent the past 34 years battling to keep from sliding into poverty, and who refuse to give up despite the economic challenges that their stories reveal.

Intimate conversations take place with some of the most celebrated and groundbreaking women-identified cartoonists at The New Yorker magazine, who laugh, draw and reflect on the essential work of women cartoonists today and over the last century.