Writing
In the 19th century, a wealthy Northern woman marries a Louisiana plantation owner and then becomes suspicious about his first wife's death.
Flame of the West has always attracted more attention than most of Johnny Mack Brown's Monogram westerns, if for no other reason than the offbeat casting of Douglass Dumbrille. Usually seen in villainous roles, Dumbrille herein offers a sincere, effective performance as a scrupulously honest US marshal named Nightlander. When he takes on a gang of crooked gamblers, Nightlander is shot down in cold blood, compelling frontier doctor John Poole (Johnny Mack Brown) to put his Hippocratic oath on the back burner and strap on the shootin' irons.
Gary Coleman stars as little Joey Seymour, a clever but lonely orphan shuffled from one foster home to the next, who is also determined to be the best Cub Scout ever. Pearl Bartlett (Katherine Helmond) is a hard-working executive who dislikes children, but she must take on a troop of Cub Scouts and become a den mother to save her job. Somewhere along the way, Joey teaches Pearl the true meaning of caring.
Thrown out of her home by a jealous husband, a woman sinks into degradation. Twenty years later, she is charged with killing a man bent on harming her daughter. The daughter, unaware of who the woman is, takes the assignment to defend her in court.
In this western, a young man tries to walk the straight and narrow, but he is impeded by his past. The trouble begins when the young fellow flees his family's Texas dirt farm and becomes an outlaw. He is advised by one of the desperadoes to return home. The boy does, and with hard work, makes the farm successful. Harvest time rolls around. He is just about to celebrate when the outlaws ride up and force him to help them pull a local bank job. He refuses and kills the gang leader and his brother. Meanwhile, the boy's past is revealed to the town banker. Seeing that he truly has gone straight, the banker forgives him. The boy marries and lives with his lovely bride upon his land.
