Acting
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A Lebanese photographer living in Brazil in the '30s manages to film the band of Lampião, a legendary Brazilian bandit.
The lives of a macho butcher, his wife, a lonely waitress, a sadist and a flophouse manager intersect in Recife, Brazil.
Mangue Beat, a musical and aesthetic movement which emerged in Pernambuco in the 1990s, transformed the visibility of the peripheries and cultural manifestations of the metropolitan area of Recife and placed the state on the map of the world music market with the launching of bands like Chico Science and Nação Zumbi and Mundo Livre S.A. The film experiments with the freedomn of thought of the Mangue using a plural language, which brings togther ideias and ideals, refleting the daring which resulted in the great symbol of the movement: a satellite dish planted in the mud of the estuaries - the Mangue.
Edgar Wilson, a roadkill collector in rural Brazil, dreams of escaping his small-town existence with Nete, the love of his life. When Nete decides to join her family in an apocalyptic cult, Edgar finds himself at a crossroads. With the world on the brink of destruction, Edgar and his unlikely companion Tomás – a disgraced and excommunicated priest – embark on a dangerous road trip through a landscape plagued by chaos and despair.
Chico Science, Nação Zumbi, and their manguebeat. This is the theme of the documentary. The film explores the story of an artist, a band, and a musical genre that emerged in the early '90s, blending the roots of Brazilian culture with contemporary and international influences. As a result, the art, cinema, and especially the sound known as "manguebeat" stood out in the country's music scene as something entirely unique, original, and inspiring.
Inspired by the book "Os homens que mataram o facínora: A história dos grandes inimigos de Lampião" by journalist, historian, and screenwriter Moacir Assunção, the film tells the story of the Nazarenos, residents of the Nazaré do Pico neighborhood in Floresta, Pernambuco. They faced off against Lampião, the Coluna Prestes, and the Pernambuco police in the early decades of the 20th century.
