Catherine Seto

Detective Ukyo Sugishita confronts crime on the basis of his own convictions. He has a partner that works for him in the Special Task Unit. For the first 7 seasons, Ukyo’s first partner is Kaoru Kameyama. He is a good-natured, hot-tempered, straightforward and somewhat scattered detective. Beginning in Season 8, Takeru Kanbe replaces Kameyama. Contrary to his predecessor, Takeru is a lanky, cool, conceited and confident detective. From Season 11 to Season 13, Ukyo’s partner is a young detective Toru Kai. Toru is a son of Deputy Director-General of The National Police Agency. But he became a detective by his own effort. And starting with Season 14, Ukyo’s current partner is Wataru Kaburagi, an elite bureaucrat who came to the Metropolitan Police Department on temporary assignment. As the first partner without any career of a police officer, he will face challenging cases together with Ukyo.

No description available.

Detective Suzunosuke Shikahama is currently suspended from work after a screw up. He gets together with Haruhi Mabuchi from the Administration Bureau, Sesuna Tsumiki from the Community Safety Bureau, and Ruka Kotori from Accounting. All from different departments and carrying their own baggage, the four join forces. They’re not exactly what you would call champions of justice. They’re not even ambitious enough to go for success. All they want is the truth.

High school girl and four other people were forced to play a X-game to take responsibility for what they did in the past.

In 1897, actor, director, producer and theatre company leader Kawakami Otojiro set off on a tour of the USA with his wife Sadayakko and theatre company members, but in a foreign country where he could not speak the language, he had to struggle against a succession of adversities, including lawyers absconding with the proceeds and actors going on strike. One day, however, Otojiro arrives in Boston on his arduous tour and sees a packed house for a performance of The Merchant of Venice by the famous British actor Henry Irving. In just one night of rehearsals, they concoct a Japanese version of The Merchant of Venice, and perform the play to a foreign audience with bullshit dialogue and a reckless performance that can be cut short by "Sucharaka poko poko" when they get stuck on a word.