Acting
Pedro Quartucci (July 30, 1905 - April 20, 1983) was an Argentine boxer and actor.
A rumor spreads about a man being bad luck. His superstitious friends believe it, but it's all part of an evil scheme to ruin the man's upcoming wedding. Adapted from the play of the same name by Gregorio de Laferrere.
A vaudeville singer secretly marries a wealthy landowner, who soon returns to his ranch, fearing the rejection of his snobbish family. To teach him a lesson, she shows up at his estancia pretending to be a maid.
The exploits of two recently arrived immigrants in Argentina.
An obstrusive man complicates a couple's honeymoon.
The film's plot, which largely takes place in a cabaret, revolves around a worldly guy who had abandoned a mature lover for a younger and more beautiful one. It is very elementary and is just a pretext for a parade of popular songs. Currently considered lost.
A criminal tries to scam a horse racing fan using a seductive woman.
A married man hides from his family that he has a black son, which causes a true tragedy.
A vagabond receives a large fortune as an inheritance and summons his peers to decide what to do with it.
A hidden heir who is the author of tangos.
No description available.
A doctor find himself in front of the corpse of a woman who was the most intense love of his life.
Two married men make a short trip to relax
The theft of a village mailbox wreaks havoc on the relationships and secrets of its neighbors.
This relentlessly realistic Argentine production was released in the U.S. as The Marked Man. The title character is a poverty-stricken janitor who suddenly wins an enormous sum in the National lottery. Spending money before he actually collects it, the janitor is appalled to discover that his wife has inadvertently sold the winning ticket to a door-to-door peddler. The ticket was hidden in the band of an old straw hat, which passes through several hands as the janitor frantically searches for the precious headgear. What might have been handled as a farce by another director is transformed into a stark, utterly credible urban tragedy by director Francis Laurie.
A young couple, Margarita and Armando, reenact the story of The Lady of the Camellias, as they fall in love, Armando's flamboyant father disapproves of their relationship and does everything to separate them.
With his own money, Pappier produced this ambitious adaptation of Manuel Gálvez's "Miércoles Santo", whose release was delayed for three years due to political reasons. When it finally came out, it bombed, but its formal originality was mentioned even in unfavorable reviews. Later, it became a cursed film, impossible to see due to lack of prints. To date, it remains lost in great part.
Movie divided in three episodes: a family mother becomes a successful singer; an Argentinian reporter follows a Spanish cupletista from the beginning of the XX century; the reunion of three old actors and their lies about their success.
A doctor must pretend to be single and his wife follows him to the field causing a series of incidents.
To prevent his father from finding out he has secretly married, a young man from a wealthy family disguises his wife as a maid. Members of the Clan Club, visiting the house, also disguise themselves as servants.
The difficulties of a mature father of a family to establish a relationship with a young and attractive woman.