Salvatore Bonafede

In the summer of '75 Pier Paolo Pasolini's film, "Salò", is stolen from the lab where he is editing it. This is just the first step of an intricate plan that will bring the great poet to his violent death.

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In the Sicily of the late 1940s, two brother sculptors, tired of selling madonnas to the local churches, finally realize their dream, and set up a Sicilian production company, thanks to the help of a local bishop. They start producing one box-office failure Z-movie after the other, all with terribly bad local non-pros as actors. Covered in debts, they finally have their great chance, when a local nobleman obsessed by magic decides to invest all his wealth in the making of a movie about Cagliostro, just one year after Orson Welles' Black Magic (1949). They hire a famous American actor (Robert Englund) and start shooting "The Return of Cagliostro".

Filming on Franco Maresco's film about Carmelo Bene is abruptly halted after yet another on-set accident. Producer Andrea Occhipinti pulls the plug, exasperated by the endless takes and repeated delays. Angered, the director simply disappears. Maresco's friend, Umberto Cantone, attempts to mend the rift by calling witnesses from all those involved in the project, in an investigation that offers an opportunity to retrace the personality and ideas of the most corrosive and apocalyptic auteur in Italian cinema.

"I migliori nani" simulates the television programs that have dominated much of Italian programming since the 1990s: a studio and a series of what in conventional television would be called "reports," but which are actually excursions into a twisted, mutilated, and discordant world.

Franco scaldati - died in 2013 - was one of the most important autors of italian theatre plays, Maresco describes his role in the cultural and social field. Through his opera we can observe Italy from another point of view.

Maresco returns to speak not only about Jazz, but about the double thread that connects jazz with Italy, or more precisely, with Sicily.

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2017 will mark a century from the recording of what is historically considered the first Jazz record, but very few know that it was recorded by a Sicilian emigrant to New Orleans: Nick La Rocca. The record sold a million and half copies! Featuring exclusive interviews to American music critics, historians and archivists, as well as amazing archive picturing New Orleans at the beginning of the century, Sicily Jass takes us on a journey through music and history, telling the story of the world's first man in Jazz.

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