Francesco Guttuso

Palermo, Sicily, Italy, 2017. Twenty-five years after the murders of anti-mafia judges Giovanni Falcone, on May 23, 1992, and Paolo Borsellino, on July 19, 1992; and on the occasion of the tributes held in memory of both heroes, skeptical photographer Letizia Battaglia, chronicler of their titanic combat, criticizes the opportunism of shady characters who, like businessman Ciccio Mira, profit from the commemoration of both tragedies.

Filming on Franco Maresco's film about Carmelo Bene is abruptly halted after yet another on-set accident. Producer Andrea Occhipinti pulls the plug, exasperated by the endless takes and repeated delays. Angered, the director simply disappears. Maresco's friend, Umberto Cantone, attempts to mend the rift by calling witnesses from all those involved in the project, in an investigation that offers an opportunity to retrace the personality and ideas of the most corrosive and apocalyptic auteur in Italian cinema.

A short homage and portrait that Franco Maresco dedicates to his friend Letizia Battaglia, a world-famous photographer and symbol of the committed, indignant and anti-Mafia side of Palermo.

Franco scaldati - died in 2013 - was one of the most important autors of italian theatre plays, Maresco describes his role in the cultural and social field. Through his opera we can observe Italy from another point of view.

Maresco returns to speak not only about Jazz, but about the double thread that connects jazz with Italy, or more precisely, with Sicily.

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A heartfelt tribute, ten years after his death, to Franco Scaldati, a project curated by director Franco Maresco, thanks to the collaboration with the Lumpen Association of Palermo.

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Comments on the work of Ciprì and Maresco by Emma Dante, Emiliano Morreale, and Giuseppe Lo Bianco