Ieva Romanova

At the beginning of the summer of 1905, representatives of the Socialist-Revolutionary Party Krasilnikov and Elkonen turned to Captain Zhanis Trautman, a Latvian political emigrant living on the outskirts of London, with a proposal to lead a steamer with a cargo of weapons to the shores of Russia. Having recruited a team of old and tried comrades, Trautman changes the crew of an English cargo ship bought by the front men. In the course of the squabble that arose on this occasion, a sailor of the old crew, David Blake, was stabbed. The wounded Blake and the veterinarian Gruber, who accompanied the cargo of anthrax drugs, are forced to leave on board. On the high seas, weapons and explosives were loaded on board. The steamer headed for the Oresund Strait, where a messenger was to meet him.

A family film based on the book Bille by Vizma Belševica. An extraordinary, lonely yet spiritually strong little girl attempts to comprehend the adult world, which in her eyes is very contradictory, and to prove her own value despite the ignorance and lack of appreciation by her family in late 1930s. Bille tries to find an escape in her vivid imagination.

St. John’s Night is a traditional Latvian midsummer celebration where family and friends get together to build bonfires, drink and have a good time. According to a legend, on this night lovers and those who wish to fall in love can search the woods for the "magic fern".

According to the story of the same name by Vladimir Makanin. Mitya Rodiontsev, a young employee of the research institute, for some time now became one of those who were in the close circle of the secretary of the director Aglaya Andreyevna and felt well protected from the vicissitudes of fate. Having become a “retinue”, Mitya was no longer engaged in science, but was busy for those who needed him, openly respected him and saw him as a future leader. But once Rodiontsev was not invited to the director’s office for a weekly tea party...

Based on the popular novel of the same title by Vilis Lācis. Latvia, the 1930s. Roberts Līviņš, the son of a dockhand, becomes an architect by his own efforts, thanks to arduous work and talent. But in his relationship with Līvija, the daughter of the rich entrepreneur Ulpe, Roberts realizes that the high society might look down on his common origins as well as his sister Alise, a hairdresser, and her boyfriend Ēriks, an opportunist and former boxer.

A film based on novels by Latvian writer Andrejs Upīts tells a story about Latvian peasants around the 16th/17th century when they were under the role of several other countries.

The film tells of faithful devotion to spiritual ideals. It is based on Riga St. Anna Stocken's Life Story of the Cistercian Monastery of Mary Magdalene.

A love triangle - a terminally ill university teacher, a blind girl and a young bard. In the background of it all - the wild arrival of the capitalism, political conflicts, city life and the beautiful nature of Latvia. In the end love will conquer everything, though not everybody will live to witness that.

A homage to Krišjānis Barons and his life's work – to collect and catalogue Latvian folksongs or dainas,thus creating the encyclopaedia of Latvian life, a poetic reflection of the knowledge of life accumulated over the centuries. The film is based on Krišjānis Barons' life during late 1800s and early 1900s – his childhood and youth in Latvia, studies and work in St. Petersburg and other places in Russia, his relationship with his faithful wife Dārta, and the awakening of the Latvian self-awareness.

In this movie (based on a true story) within a movie, a director tries to film the tale of an old KGB activist living in a parish house. In the summer of 1941 the activist tortured and killed Latvians in the cellar of the house. Although the old man hires others to brick over the cellar door, the murdered people keep coming through the stones and never leave him in peace. Unbeknownst to the film makers, the "real" KGB activist, now an aged drunk, is milling about the film set. Moreover, the director and lead actor are competing for the love of the lead actress, and the film's producer wants the director to re-shoot parts of the movie.

An omnibus film consisting of ten parts, each directed by a different young director from the Latvian Academy of Culture. The unifying element of the ten shorts is the place where they take place - the airport. A lot can happen there - including a strike by a comet, a malicious attempt to break havoc by passengers, or an exploration of the old airport guard's house where not a lot has changed since the collapse of the Soviet Union. The film consists of the following parts: A Mishap (Nediena) by Arta Biseniece, Blurp (Šļurp) by Aija Bley, Alien Sky (Svešās debesis) by Viesturs Kairišs, 5 Versions (5 versijas) by Dzintars Krūmiņš, Comet (Komēta) by Māra Liniņa, Cleptomania (Kleptomānija) by Andis Mizišs, Alfredo's Poetry (Alfredo dzeja) by Igors Varenieks, Little Hand (Mazā roka) by Ilze Vidauska, Comet 2 (Komēta 2) by Anna Viduleja, and Life No. 2 (Dzīve nr.2) by Kristīne Želve.

The story of Cīrulīši - a tight-knit family down on their luck, and their trials and tribulations during the Christmas season.

The characters of the movie are closely twisted. Each of the heroes is a slave to their own passions. Only through strong will and some happy event they will be able to free themselves from their addictions.

Four Latvian legionnaires are sentenced to death for deserting the German army. A Latvian girl heads to the German headquarters to try to free her beloved. In the few hours remaining before the execution a love triangle plays out between the girl, a German officer and the prisoner.

Adventures of two Latvian boys - Juris and Maris.

In the mid – 1960’s, Latvia was a part of the Soviet Union. People lived identical lives, listened to the same radio stations. Children wore the same boots and ate the same porridge every morning. Only their dreams and desires for something different set them apart from each other. For little Dace this is a moment, where stand still of childhood’s happiness turns into time for growing up. "A fullfilled expression of Beauty in the passage of Life." (Dmitry Rancev, "The Independent", Latvia) "Competent and Spartan…" (Jan Ingman, catalogue of "Stockholm IFF")

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