Natsuki Mieda

Four renowned Japanese directors each adapt a supernatural short story by Japanese literary masters for the KAIDAN HORROR CLASSICS omnibus series. In his adaptation of Yasunari Kawabata's THE ARM, Masayuki Ochiai reveals the inner world of fetishists in an eerily unsettling tale of a man who convinces a woman to let him borrow her arm for a night. Meanwhile, Shinya Tsukamoto explores death and unrequited love in Osamu Dazai's THE WHISTLER, about a woman who spies on her dying sister's secret love life after her own romance is dashed by her father. After VILLAIN, Lee Sang-Il looks at social outcasts once again in Ryunosuke Akutagawa's THE NOSE. The story follows a priest with a hideous nose who kills a young local boy in a moment of blinding anger. Meanwhile, Hirokazu Kore-eda creates a gentler ghost tale with Saisei Muro's THE DAYS AFTER, about a married couple who thinks the young boy who visits their house daily may be the ghost of their dead infant son.

Shinichi Kudo returns as the young Conan to investigate a murderous letter sent to a beauty pageant winner who demands affection.

The Advent of Princess Kakyuu (Kakyuu-Ouhi Kourin) was the revision of the previous musical, but it also followed the Sailor Stars arc of the manga.

A rural gentleman's peaceful life takes a turn for the worse when a couple from Tokyo move to his neck of the woods.

A stage play adaptation of Lycoris Recoil.

The luxurious pink and yellow homes towering above the upscale residential neighborhood may have been a symbol of her late father's wealth. The story begins when an economically successful family suffers from the death of their mother and loses their home. In that house, not seen for a long time, the scenery that should have been present has disappeared... Memories are gradually revived in the lost space.