Sarah Blum

Year 1936. As villages across Palestine rise against British colonial rule, Yusuf drifts between his rural home and the restless energy of Jerusalem, longing for a future beyond the growing unrest. But history is relentless. With rising numbers of Jewish immigrants escaping antisemitism in Europe and some arriving with nefarious Zionist-colonial ambitions, and the Palestinian population uniting in the largest and longest uprising against Britain’s 30-year dominion, all sides spiral towards inevitable collision in a decisive moment for the British Empire and the future of the entire region.

They gave in. Or capitulated. They didn't want to have sex. They couldn't push back, to make them understand that no, they didn't want to. Some consider it part of the unpleasant yet inevitable experiences of youth. Others don't. For the first time, a film addresses this "gray" area of sexuality without consent.

What begins as an innocent art class becomes a steamy triangle of erotic passions and forbidden love. A beautiful Japanese girl becomes the object of obsession in a devious relationship between the wife of a German diplomat and her husband.

1920s. Vitalino, a small farmer from São Vicente sees his father die of the epidemic which decimated the country. Some years later, of all the brothers, Vitalino is the strongest and takes his father’s place in the house. But the village is too small for his aspirations and he decides to head to Brazil, leaving his sisters in charge of the household. In parallel with Vitalino’s story, If I Were a Thief… I’d Steal portrays the world of Paulo Rocha rummaging through his films and ghosts over the years.

Victim of a terrible plot, Captain Dreyfus was sentenced in December 1894 to deportation for high treason. His wife Lucie made a pact with him: to live, whatever the cost, while awaiting rehabilitation. During five years, the Dreyfus spouses exchanged hundreds of letters. They became a weapon of survival for Alfred. This film is the story of the correspondence of a man and a woman who unwittingly became the unsung heroes of the case that bears their name.

A woman meets a man in a bar late in the evening and goes to his apartment. A woman picks up a girl from school and runs with the child through the park. If we see such scenes in a movie, or are we watching such situations in life, we quickly believe we know who these women are: a woman looking for a fleeting adventure in the first scene, a caring mother in the second.

Glenn Gould is a global star for whom everything is going according to plan and who seems to be able to do whatever he wants. In a music studio near Central Park, he meets photographer Eleanor Weismann, the pregnant wife of composer Georg Weisman, and falls head over heels in love for the first time in his life.

The first documentary about France's post punk and cold wave scene in the late 1970s and early 1980s. During an art show at agnès b. gallery in 2008, Jean-François Sanz has gathered some exceptional material that brings to light, through archival footage and about thirty interviews to the main players, the pop culture heritage of that moment.

An urban train link, the RER B, crosses Paris and its outskirts from north to south. A journey within indistinct spaces known as inner cities and suburbs. Several portraits, all individual pieces that form a whole. We.

In Iran, since the 1979 Islamic revolution, women are no longer allowed to sing in public as soloists - at least in front of men. Defying censorship and taboos, the young composer Sara Najafi is determined to organize an official concert for solo female singers. In order to support their fight, Sara and her friends invite three French female singers, Elise Caron, Jeanne Cherhal and Emel Mathlouthi, to join them in Tehran and collaborate on their musical project, re-opening a musical bridge between Europe and Iran. Are they going to succeed and finally be gathered in Tehran, sing together, on stage and without restrictions, and to open a door towards a new freedom of women in Iran ?

Following the journey of fossils from their discovery in remote corners of the earth to laboratories, museums, auction houses and collectors’ living rooms, the film weaves together interlocking stories of eccentric characters caught between the demands of commerce and the basic human drive to unlock the most profound mysteries of life. THE BONES takes us deep into the Gobi, Sahara, and North American badlands, and through laboratories, museums, high-end auction houses, and grungy hotel rooms at the Tucson gem show. Wrapped in elusive questions about the origins of life on earth, and its potential future demise, THE BONES unearths the deep passions at the heart of the dinosaur world.

An intimate exploration of the masculine territory of the high-rise projects at the edges of Paris. By following a group of young men, we wander through a world where female bodies are nothing more than ghostly and virtual silhouettes. The characters lead us inside everyday places where we hunt down the staging of their virility. Off-screen, narrated personal tales openly reveal the unexpected side to the characters' histories and personalities.

Alice Diop's enchanting short film, a work of transcendent transformation, shows how the rough lines of Drancy station are immortalized in watercolor by the French artist Benoît Peyrucq. A tribute to a location fraught with historical and contemporary poignancy.

Chantal Birman has devoted her life to defending abortion and the rights of women. At nearly 70 years old, she has no intention of retiring from her job as a midwife. From painful moments to joyful experiences, this road movie through the housing projects outside Paris offers a special take on the place of mothers in society and provides unique insight into that delicate moment of “going home”.

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A feminist legend, a May 68 activist, a famous playwright and poet, Hélène Cixous is the vehicle of this road movie. With friends like the philosopher Jacques Derrida, the artist Adel Abdessemed, with Ariane Mnouchkine and her cosmopolitan theatre company, Cixous explores the wounds our time and allows us to ear the cry of literature. The history of dozens of members of her German-Jewish family who were assassinated in the Death Camps, and the trauma of the wars of decolonization are never far, for this major figure who was born in Algeria shortly before the start of the Second World War.

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Summer is ending and so are the holidays. Around Balthazar, 13, the adults are getting the barbecue ready. His cousins are getting dressed to go out and party, and his big brother is ignoring him. Balthazar, meanwhile, is texting with Tom — the only one who doesn’t treat him like a little kid.

After surviving arbitrary detention and torture for her political activism in 1970’s Morocco, Fatna El Bouih continues to pursue relentlessly today, her dream for change.

Depicting a transvestite who worked for a family without them knowing her gender.